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" His legs bestrid the ocean : his rear'd arm Crested the world: * his voice was propertied As all the tuned spheres, and that to friends; But when he meant to quail' and shake the orb, He was as rattling thunder. "
The Works of William Shakspeare - 123 psl.
autoriai: William Shakespeare - 1852
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The Legal Imagination

James Boyd White - 1985 - 328 psl.
...ocean; his rear'd arm Crested the world. His voice was propertied * Act 4, scene 15; act 5, scene 2. As all the tuned spheres, and that to friends; But...more by reaping. His delights Were dolphin-like: they show'd his back above The element they liv'd in. In his liv'ry Walk'd crowns and crownets. Realms and...
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Themes in Drama: Volume 12, Drama and Philosophy

James Redmond - 1990 - 250 psl.
...and Cleopatra and Wittgenstein, in the hope of seeing Cleopatra's retrospect in a different light: His legs bestrid the ocean, his rear'd arm Crested...rattling thunder. For his bounty, There was no winter in 't: an autumn 'twas That grew the more by reaping: his delights Were dolphin-like, they show'd his...
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Metamorphoses of Helen– Authority, Difference, and the Epic

Mihoko Suzuki - 1989 - 292 psl.
...and therein stuck A sun and moon, which kept their course, and lighted The little O, th' earth. . . . His legs bestrid the ocean, his rear'd arm Crested...For his bounty, There was no winter in't: an autumn it was That grew the more by reaping. His delights Were dolphin-like; they show'd his back above The...
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The Columbia Granger's Dictionary of Poetry Quotations

Edith P. Hazen - 1992 - 1172 psl.
...master conquer And earns a place i' the story. (HI, xiii) 7 His legs bestrid the ocean; his reared ss in 't; an autumn it was That grew the more by reaping. His delights Were dolphinlike; they showed his...
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Shakespearean Pragmatism– Market of His Time

Lars Engle - 1993 - 284 psl.
...heavens, and therein stuck A sun and moon, which kept their course, and lighted The little O, the earth. His legs bestrid the ocean, his rear'd arm Crested...more by reaping: his delights Were dolphin-like, they show'd his back above The element they lived in: in his livery Walk'd crowns and crownets: realms and...
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Reclamations of Shakespeare

A. J. Hoenselaars - 1994 - 324 psl.
...and therein stuck A sun and moon, which kept their course, and lighted The little O, the earth. [...] His legs bestrid the ocean, his rear'd arm Crested...rattling thunder. For his bounty. There was no winter in *t; an autumn 'twas That grew the more by reaping: his delights Were dolphin-like, they show'd his...
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Shakespeare's Theory of Drama

Pauline Kiernan - 1998 - 236 psl.
...kept their course, and lighted The little O, the earth. Dolabella. Most sovereign creature, Cleopatra. His legs bestrid the ocean, his rear'd arm Crested...more by reaping: his delights Were dolphin-like, they show'd his back above The element they lived in: in his livery Walk'd crowns and crownets: realms and...
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Classical, Renaissance, and Postmodernist Acts of the Imagination– Essays ...

Arthur F. Kinney - 1996 - 316 psl.
...almost as far beyond ours as their experiences. Cleopatra describes to Dolabella her dream of Antony: His legs bestrid the ocean, his rear'd arm Crested...For his bounty, There was no winter in't: an autumn it was That grew the more by reaping. His delights Were dolphin-like, they show'd his back above The...
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Shakespearean Tragedy and Gender

Shirley Nelson Garner, Madelon Sprengnether - 1996 - 346 psl.
...speech, she wishfully constructs for herself her "man of men": His legs bestrid the ocean: his reared arm Crested the world: his voice was propertied As...in't: an autumn 'twas That grew the more by reaping. . . . (5.2.83-88) Here Antony becomes the kind of wonder that Cleopatra was in Enobarbus's barge speech,...
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Shakespeare's Twenty-First Century Economics– The Morality of Love and Money

Frederick Turner - 1999 - 232 psl.
...her evocation of the endless circle of productiveness: . . . His legs bestrid the ocean: his reared arm Crested the world: his voice was propertied As...in't: an autumn 'twas That grew the more by reaping. . . . (V.ii.79) What Cleopatra claims for Antony in her magnificent elegy for him is that his generosity...
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