 Shakespeare's poems the creative power and the intellectual energy wrestle as in a war embrace. Each in its excess of strength seems to threaten the extinction of the other. At length in the drama they were reconciled, and fought each with its shield...  The Atlantic Monthly - 109 psl.1867Visos knygos peržiūra - Apie šią knygą
 | Samuel Taylor Coleridge - 1853 - 528 psl.
...father's garden — One that did force your valiant son to yield,"] &Q. — Ed. * " In Shakspeare's Poems the creative power and the intellectual energy wrestle as in a war-embrace. Each in its excess of strength seems to threaten the extinction of the other. At length,... | |
 | Samuel Taylor Coleridge - 1854 - 766 psl.
...andjthe-Jiagraney of all human knowledge, human thoughts, human passions, emotion, language. In Shakspeare's poems the creative power and the intellectual energy...each with its shield before the breast of the other. Or like two rapid streams, that, at their first meeting within narrow and rocky banks, mutually strive... | |
 | Samuel Taylor Coleridge - 1864 - 770 psl.
...fragrancy of all human knowledge, human thoughts, human passions, emotion, language. In Shakspeare's poems the creative power and the intellectual energy...each with its shield before the breast of the other. Or like two rapid streams, that, at their first meeting •within narrow and rocky banks, mutually... | |
 | Samuel Taylor Coleridge - 1864 - 772 psl.
...human knowledge, human thoughts, human passions, emotion, language. In Shakspeare's poems the ereative power and the intellectual energy wrestle as in a...each with its shield before the breast of the other. Or like two rapid streams, that, at their first meeting within narrow and roeky hanks, mutually strive... | |
 | Edwin Percy Whipple - 1869 - 382 psl.
...deficient in the passions, of the poet. The poem is a throng of thoughts, fancies, and imaginations, somewhat cramped in the utterance. Coleridge says...say that in his earlier poems his intellect, acting in some degree apart from his sensibility, and playing with its own ingenuities of fancy and meditation,... | |
 | William Shakespeare - 1890 - 478 psl.
...comedy the bold figure that Coleridge has less appropriately employed as to the early poems, that ' the creative power and the intellectual energy wrestle as in a war embrace.' In no other play, at least, do we find the bright imagination and fascinating grace of Shakespeare's... | |
 | Thomas Sinclair - 1878 - 334 psl.
...creative power and the intellectual energy fighting destructively in the Poems, at length in the drama were reconciled, and fought each with its shield before the breast of the other.' This is one of Coleridge's judgments, and we do not feel inclined to follow him trustfully after getting... | |
 | William Shakespeare - 1881 - 328 psl.
...fragrance of all human knowledge, human thoughts, human passions, emotions, language. In Shakespeare's poems, the creative power and the intellectual energy wrestle as in a war-embrace. Each in its excess of strength seems to threaten the extinction of the other. At length,... | |
 | William Shakespeare, Henry Norman Hudson - 1881 - 686 psl.
...fragrance of all human knowledge, human thoughts, human passions, emotions, language. In Shakespeare's poems, the creative power and the intellectual energy wrestle as in a war-embrace. Each in its excess of strength seems to threaten the extinction of the other. At length,... | |
 | Samuel Taylor Coleridge - 1883 - 544 psl.
...fragrancy of all human knowledge, human thoughts, human passions, emotions, language. In Shakspere's Poems, the creative power and the intellectual energy...each with its shield before the breast of the other. Or like two rapid streams that, at their first meeting within narrow and rocky banks, mutually strive... | |
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