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" Whose blood and judgment are so well commingled That they are not a pipe for fortune's finger To sound what stop she please. Give me that man That is not passion's slave, and I will wear him In my heart's core, ay, in my heart of heart, As I do thee. "
The Atlantic Monthly - 646 psl.
1918
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The Sound of Shakespeare

Wes Folkerth - 2002 - 164 psl.
...sounded' (3. 1 .7) . In the next scene, Hamlet confides to Horatio that he counts blessed diose who 'are not a pipe for Fortune's finger / To sound what stop she pleases' (3.2.70-1). Later in the same scene he accuses Rosencrantz and Guildenstern of spying on him,...
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The Cambridge Shakespeare Library

Catherine M. S. Alexander - 488 psl.
...Danish rabble, of those qualities which go to make Horatio: blest are those Whose blood and judgement are so well commingled, That they are not a pipe for fortune's finger To sound what stop she please. Give me that man That is not passion's slave. . . . (m, ii, 73—7) Dignity is broken down by release...
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Rebuilding Trust in Healthcare

Jamie Harrison, Rob Innes, T. D. Van Zwanenberg - 2003 - 220 psl.
...rewards Hast ta'en with equal thanks; and blest are those Whose blood and judgement are so well comeddled That they are not a pipe for Fortune's finger To sound what stop she pleases. Give me that man That is not passion's slave, and I will wear him In my heart's core, ay,...
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The Kendall/Hunt Anthology– Literature to Write About

K. H. Anthol - 2003 - 344 psl.
...Fortune's buffets and rewards Hath ta'en with equal thanks; and blest are those Whose blood and judgement are so well commingled, That they are not a pipe for Fortune's finger 75 To sound what stop she please. Give me that man That is not passion's slave, and I will wear him...
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Dynamism of Character in Shakespeare's Mature Tragedies

Piotr Sadowski - 2003 - 336 psl.
...rewards Hast ta'en with equal thanks; and blest are those Whose blood and judgment are so well commeddled That they are not a pipe for Fortune's finger To sound what stop she please. Give me that man That is not passion's slave, and I will wear him In my heart's core, ay, in my heart...
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Shakespeare and Marx

Gabriel Egan - 2004 - 178 psl.
...being interpellated by Danish state ideology, with not playing a role assigned to him, with remaining 'not a pipe for Fortune's finger / To sound what stop she please' (3.2.68-9), a metaphor that recurs in his outburst to Guildenstern 'do you think I am easier to be...
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Music in Shakespearean Tragedy

Frederick William Sternfeld - 2005 - 392 psl.
...lacking in Hamlet. The prince praises Horatio (III.ii.75) as one of . . . those Whose blood and judgement are so well commingled That they are not a pipe for Fortune's finger To sound what stop she please . . . and later in the scene he returns more extensively to the subject of wind instruments, when he...
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The Great Comedies and Tragedies

William Shakespeare - 2005 - 900 psl.
...Hast ta'en with equal thanks; and blest are those Whose blood and judgment are so well co-meddled, That they are not a pipe for Fortune's finger To sound what stop she please: give me that man 70 That is not passion's slave, and I will wear him In my heart's core, ay in my heart...
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Shakespeare's Tragic Sequence

Kenneth Muir - 2005 - 224 psl.
...rewards Hast ta'en with equal thanks; and blest are those Whose blood and judgment are so well comeddled That they are not a pipe for Fortune's finger To sound what stop she please. Give me that man That is not passion's slave, and I will wear him In my heart's core, ay, in my heart...
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Tam Lin

Pamela Dean - 2006 - 484 psl.
...or bad but thinking makes it so. Blessed are those whose blood and judgement are so well commeddled that they are not a pipe for Fortune's finger, to sound what stop she please. Lord, we know what we are, but know not what we may be. I am more an antique Roman than a Dane This...
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