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" Whose blood and judgment are so well commingled That they are not a pipe for fortune's finger To sound what stop she please. Give me that man That is not passion's slave, and I will wear him In my heart's core, ay, in my heart of heart, As I do thee. "
The Atlantic Monthly - 646 psl.
1918
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Who's who in Shakespeare

Peter Quennell, Hamish Johnson - 2002 - 228 psl.
...Fortune's buffets, and rewards Hath ta'en with equal thanks. And blest are those, Whose blood and judgement are so well commingled, That they are not a pipe for Fortune's finger To sound what stop she please. Give me that man, That is not passion's slave, and I will wear him In my heart's core, ay, in my heart...
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Hamlet– The Tragedie of Hamlet, Prince of Denmarke : the First Folio of 1623 ...

William Shakespeare - 2001 - 261 psl.
...buffets and rewards Hath ta'en with equal thanks - and bless'd are those Whose blood and judgement are so well commingled That they are not a pipe for Fortune's finger To sound what stop she please. Give me that man That is not passion's slave, and I will wear him In my heart's core, ay, in my heart...
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Deadly Thought– Hamlet and the Human Soul

Jan H. Blits - 2001 - 405 psl.
...rewards Hast ta'en with equal thanks; and blest are those Whose blood and judgment are so well commeddled That they are not a pipe for Fortune's finger To sound what stop she please. Give me that man That is not passion's slave, and I will wear him In my heart's core, ay, in my heart...
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Faultlines– Cultural Materialism and the Politics of Dissident Reading

Alan Sinfield - 1992 - 365 psl.
...he perceives in him "a man that Fortune's buffets and rewards / Hast ta'en with equal thanks; . . . not a pipe for Fortune's finger / To sound what stop she please . . . not passion's slave" (3.2.67-72). By subduing his emotions, Horatio is said to free himself from...
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The Time is Out of Joint– Shakespeare as Philosopher of History

Agnes Heller - 2002 - 375 psl.
...more than once to a delicate musical instrument that hides its melodies from the intruder. He says: "That they are not a pipe for Fortune's finger / To sound what stop she please" (Hamlet 3.2.68—69). Yet the possibility of repeatability must remain, otherwise there is neither...
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Rhetoric and Kairos– Essays in History, Theory, and Praxis

Phillip Sipiora, James S. Baumlin - 2002 - 258 psl.
...equal thanks" (3.2.66-67), adding, . . . and blest are those Whose blood and judgment are so commeddled That they are not a pipe for Fortune's finger To sound what stop she please. Give me that man That is not pass1on's slave, and I will wear him In my heart's core, ay, in my heart...
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A Synoptic Hamlet: a Critical-Synoptic Edition of the Second Quarto and ...

William Shakespeare, Jesús Tronch - 2002 - 416 psl.
...1919 1 920 Whose blood and judgement are so well commeddled commingled 1921 1922 1923 1924 1925 65 That they are not a pipe for Fortune's finger To sound what stop she please. Give me that man That is not passion's slave, and I will wear him In my heart's core, ay, in my heart...
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The Wisdom of Shakespeare

William Shakespeare - 2002 - 244 psl.
...Hast ta'en with equal thanks: and blest are those Whose blood and judgement are so well commeddled, That they are not a pipe for fortune's finger To sound what stop she please. Give me that man That is not passion's slave, and I will wear him In my heart's core, ay, in my heart...
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The Cambridge Companion to Shakespearean Tragedy

Claire McEachern - 2002 - 274 psl.
...praise for his neo- Stoic friend Horatio as one 'whose blood and judgement are so well commeddled,/That they are not a pipe for Fortune's finger /To sound what stop she please' (Ham. 3. 2.59-61). IJ (Blood is metonymic here for emotion, the substance embodying the significance.)14...
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The Sound of Shakespeare

Wes Folkerth - 2002 - 147 psl.
...sounded' (3. 1 .7) . In the next scene, Hamlet confides to Horatio that he counts blessed diose who 'are not a pipe for Fortune's finger / To sound what stop she pleases' (3.2.70-1). Later in the same scene he accuses Rosencrantz and Guildenstern of spying on him,...
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