Whose blood and judgment are so well commingled That they are not a pipe for fortune's finger To sound what stop she please. Give me that man That is not passion's slave, and I will wear him In my heart's core, ay, in my heart of heart, As I do thee. The Atlantic Monthly - 646 psl.1918Visos knygos peržiūra - Apie šią knygą
| Peter J. Leithart - 1996 - 288 psl.
...instructions in his behavior? Do the Players? 3. Hamlet tells Horatio that he prefers a man who is "not a pipe for fortune's finger to sound what stop she please" (3.2.76-77). Looking at the context of this remark, what does Hamlet mean by this? Is Hamlet such a... | |
| Mrs Henry Pott - 1997 - 652 psl.
[ Atsiprašome, šio puslapio turinio peržiūra yra ribojama ] | |
| Meg Harris Williams - 1997 - 188 psl.
[ Atsiprašome, šio puslapio turinio peržiūra yra ribojama ] | |
| William Shakespeare - 1998 - 372 psl.
[ Atsiprašome, šio puslapio turinio peržiūra yra ribojama ] | |
| William Shakespeare - 1998 - 324 psl.
[ Atsiprašome, šio puslapio turinio peržiūra yra ribojama ] | |
| Ewen Green - 1998 - 968 psl.
...gust of unpopularity. He is one of those ' Whose blood and judgment are so well co-mingled That thev are not a pipe for Fortune's finger To sound" what stop she please.' To the clamour of short - sighted impatience — and Johannesburg, though to him personally loyal,... | |
| Avraham Oz - 1998 - 324 psl.
...note in the Oxford edition. 62. See, for example, 3.2.54-74. Hamlet's characterization of Horatio as "not a pipe for Fortune's finger / To sound what stop she please" can be taken as an image of bodily closure, made more explicit later in the same scene: "You would... | |
| İlham Dilman - 1999 - 294 psl.
[ Atsiprašome, šio puslapio turinio peržiūra yra ribojama ] | |
| Charles Marowitz - 1999 - 264 psl.
[ Atsiprašome, šio puslapio turinio peržiūra yra ribojama ] | |
| Michael C. Schoenfeldt - 1999 - 224 psl.
...Hamlet, in contrast, praises Horatio as one of those "whose blood and judgment are so well co-meddled, / That they are not a pipe for Fortune's finger / To sound what stop she please"; he is "not passion's slave" (3.2.69-72). In the next chapter, we will attend to Shakespeare's exploration... | |
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