 ... manners of a slave. Money and fine clothes could not mend these defects or cover them up; they only made them the more glaring and the more pathetic. The poor fellow could not endure the terrors of the white man's parlor, and felt at home and at peace...  The Century Illustrated Monthly Magazine - 234 psl.redagavo - 1894Visos knygos peržiūra - Apie šią knygą
 | Arnold Weinstein - 1993 - 362 psl.
...the white man's parlor, and felt at home and at peace nowhere but in the kitchen. The family pew was a misery to him, yet he could nevermore enter into...to him for good and all. But we cannot follow his fate further— that would be a long story. (1 14) It is hard not to imagine that Faulkner had these... | |
 | Will Kaufman - 1997 - 284 psl.
...the white man's parlor, and felt at home and at peace nowhere but in the kitchen. The family pew was a misery to him, yet he could nevermore enter into...gallery' — that was closed to him for good and all" (225). Thus even the real, blameless Tom is still a slave. As the one most tragically duped by Roxy's... | |
 | Lawrence Howe - 1998 - 286 psl.
...story." The shorter story of Tom's fate, which abruptly ends the novel, is another matter, however: The false heir made a full confession and was sentenced...for life. But now a complication came up. The Percy Briscoli estate was in such crippled shape when its owner died that it could pay only sixty per cent... | |
 | Lawrence Howe - 1998 - 286 psl.
...virtue of his slave training can find no comfort in the parlor where he is now installed, and then adds, "But we cannot follow his curious fate further - that would be a long story." The shorter story of Tom's fate, which abruptly ends the novel, is another matter, however: The false heir... | |
 | Katherine Rowe - 1999 - 304 psl.
...laugh—all were vulgar and uncouth; his manners were the manners of a slave . . . The family pew was a misery to him, yet he could nevermore enter into...good and all. But we cannot follow his curious fate further—that would be a long story. (PW, 167) Linking the involuntary and inescapable qualities of... | |
 | Adam Lively - 2000 - 306 psl.
...the white man's parlour, and felt at home and at peace nowhere but in the kitchen. The family pew was a misery to him, yet he could nevermore enter into...curious fate further - that would be a long story. Humour, melodrama, murder-mystery - the curiously effective 1 It can and has been argued that Tom's... | |
 | Cathy Boeckmann - 2000 - 260 psl.
...aristocracy. Accordingly, the narrator admits that Chambers's predicament is no longer appropriate to narrate: "We cannot follow his curious fate further— that would be a long story" (114). Chambers threatens to break out of the frame of this newly restored genre because his very existence... | |
 | Brian Richardson - 2002 - 416 psl.
...the white man's parlor, and felt at home and at peace nowhere but in the kitchen. The family pew was misery to him, yet he could nevermore enter into the...gallery" — that was closed to him for good and all." This does more than joke about art; it forces the authorial audience to question the ideological assumptions... | |
 | Mason I. Lowance - 572 psl.
...of the white man's parlor, and felt at home and peace nowhere but in the kitchen. The family pew was a misery to him, yet he could nevermore enter into the solacing refuge of the "nigger gallery." This is a very clear statement of the influence of environment over heredity, of social condition over... | |
 | Carme Manuel, Paul S. Derrick - 2003 - 556 psl.
...and diminished by the "fiction of law and custom" of racial division. Of him, the narrator concludes: "But we cannot follow his curious fate further — that would be a long story"(143). Indeed, a story that extended to Clemen's time and regretfully continues to haunt us today.... | |
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