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" I ask not for the great, the remote, the romantic i what is doing in Italy or Arabia; what is Greek art, or Provencal minstrelsy; I embrace the common, I explore and sit at the feet of the familiar, the low. "
NATURE, ADDRESSES, AND LECTURES - 92 psl.
autoriai: RALPH WALDO EMERSON - 1883
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Jean Jacques Rousseau– The Politics of the Ordinary

Tracy B. Strong - 2002 - 236 psl.
...being? 2 Rousseau and the Experience of Others I ask not for the great, the remote, the romantic. ... I embrace the common. I explore and sit at the feet of the familiar, the low, and you may have the antique and future worlds. What would we really know the meaning of? RW Emerson,...
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Civilization's Quotations– Life's Ideal

Richard Alan Krieger - 2007 - 344 psl.
...one day gives, another takes." — George "Give me today, and take tomorrow." — St. John Chrysostom "Give me insight into today, and you may have the antique and future worlds." — Nietzsche "For there is no day however beautiful which has not its night." — Anonymous "Many...
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The Attention Economy– Understanding the New Currency of Business

Thomas H. Davenport, John C. Beck - 2001 - 278 psl.
...attention in the new economy, attention measurement will be everywhere. Every performer, Overheard. "Give me insight into today and you may have the antique and future worlds." Ralph Waldo Emerson, "The American Scholar" author, sports star, and politician will be painfully aware...
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Lying Up a Nation– Race and Black Music

Ronald M. Radano - 2003 - 438 psl.
...Emerson (1903; reprint, New York: AMS Press, 1968), 111, where he outlines his vision of "the common" ("I embrace the common, I explore and sit at the feet of the familiar, the low"). See chap. 3 of Bendix, In Search of Authenticity; and Paul F. Boiler, Jr., American Transcendentalism,...
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Understanding Emerson– "The American Scholar" and His Struggle for Self-reliance

Kenneth Sacks - 2003 - 426 psl.
...is a sign, — is it not? of new vigor. . . . I ask not for the great, the remote, the romantic. ... I embrace the common, I explore and sit at the feet of the familiar, the low. In obvious anticipation of his eventual protege Walt Whitman, Emerson identified himself with the rich...
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Emerson’s Transcendental Etudes

Stanley Cavell, David Justin Hodge - 2003 - 300 psl.
...worldwide shrinking of the spirit. In the passage we have taken from "The American Scholar," Emerson says, "Give me insight into today, and you may have the antique and future worlds." In Nature he had said, "Give me health and a day, and I will make the pomp of emperors ridiculous."...
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The Mirror and the Veil– An Overview of American Online Diaries and Blogs

Viviane Serfaty - 2004 - 160 psl.
...currents of warm life run into the hands and the feet. I ask not for the great, the remote, the romantic; what is doing in Italy or Arabia; what is Greek art....to-day, and you may have the antique and future worlds. (Emerson 1849). Emerson asserts that the familiar, the trivial, the commonplace are precisely what...
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Tales from the Easel– American Narrative Paintings from Southeastern Museums ...

2004 - 236 psl.
...Scholar" (1837). he wrote: "I ask not for the great. the remote. the romantic; what is Fig. 13 domg m Italy or Arabia: what is Greek art. or Provencal minstrelsy: I embrace the common. I explore and sit at (he feet of the faimliar. the low. Give me insight mto today. and you may have the antique and future...
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Sounding the Abyss– Readings Between Cavell and Derrida

Roger V. Bell - 2004 - 618 psl.
...foreign parts ... the philosophy of the street. ... I ask not the great, the remote, the romantic ... I embrace the common, I explore and sit at the feet of the familiar, the low. . . . Man is surprised to find that things near are not less beautiful and wondrous than things remote....
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New York City– An Outsider's Inside View

Mario Maffi - 2004 - 200 psl.
...nourished therein—at the end of the century. The philosopher Ralph Waldo Emerson had written in 1837, "I embrace the common, I explore and sit at the feet of the familiar, the low" ("The American Scholar"), and for budding American painters and writers alike, the phrase became a...
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