 | Ralph Waldo Emerson - 1921 - 580 psl.
...suggests this universal grace. The poet, the painter, the sculptor, the musician, the architect, seek each to concentrate this radiance of the world on...works. The world thus exists to the soul to satisfy the desire of beauty. This element I call an ultimate end. No reason can be asked or given why the... | |
 | Ralph Waldo Emerson - 1926 - 412 psl.
...suggests this universal grace. The poet, the painter, the sculptor, the musician, the architect, seek each to concentrate this radiance of the world on...works. The world thus exists to the soul to satisfy the desire of beauty. This element I call an ultimate end. No reason can be asked or given why the... | |
 | Robert Shafer - 1926 - 1410 psl.
...suggests this universal grace. The poet, the painter, the sculptor, the musician, the architect, seek each to concentrate this radiance of the world on...works. The world thus exists to the soul to satisfy the desire of beauty. This element I call an ultimate end. No reason can be asked or given why the... | |
 | Ralph Waldo Emerson - 1926 - 398 psl.
...suggests this universal grace. The poet, the painter, the sculptor, the musician, the architect, seek each to concentrate this radiance of the world on...works. The world thus exists to the soul to satisfy the desire_qf beauty. ThJ^_ej£nieji£_I_call_ari.ult[mate end. No reason caTTEe asked or given why... | |
 | Giles Gunn - 1981 - 489 psl.
...suggests this universal grace. The poet, the painter, the sculptor, the musician, the architect, seek each to concentrate this radiance of the world on...works. The world thus exists to the soul to satisfy the desire of beauty. This element I call an ultimate end. No reason can be asked or given why the... | |
 | Ralph Waldo Emerson - 1983 - 1196 psl.
...suggests this universal grace. The poet, the painter, the sculptor, the musician, the architect, seek each to concentrate this radiance of the world on...works. The world thus exists to the soul to satisfy the desire of beauty. This element I call an ultimate end. No reason can be asked or given why the... | |
 | Joshua C. Taylor - 1987 - 580 psl.
...suggests this universal grace. The poet, the painter, the sculptor, the musician, the architect seek each to concentrate this radiance of the world on...works. The world thus exists to the soul to satisfy the desire of beauty. Extend this element to the uttermost, and I call it an ultimate end. No reason... | |
 | Thomas Krusche - 1987 - 384 psl.
...Verweisen des Einzelnen auf ein Ganzes, das der Künstler in einem Punkt zu kristallisieren versucht: Thus is Art, a nature passed through the alembic of...of a man filled with the beauty of her first works. (p. 17) Zusammenfassend gesteht Emerson dem Streben der "soul" nach Schönheit eine nicht hinterfragbare... | |
 | Edwin Harrison Cady, Louis J. Budd - 1988 - 300 psl.
...nature [lower-case] passed through the alembic of man. Thus in art [lower-case] does Nature [upper-case] work through the will of a man filled with the beauty of her first works s, I, zj). In this passage I take the first sense of Art (upper case) to be man's spiritual intuition... | |
 | Ralph Waldo Emerson, Henry David Thoreau - 1994 - 148 psl.
...suggests this universal grace. The poet, the painter, the sculptor, the musician, the architect, seek each to concentrate this radiance of the world on one point, and 20 each in his several work to satisfy the love of beauty which stimulates him to produce. Thus is... | |
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Nothing is quite beautiful alone; nothing but is beautiful in the whole. A single object is only so far beautiful as it suggests this universal grace. The poet, the painter, the sculptor, the musician, the architect, seek each to concentrate this radiance... 
