Elements of Criticism: Volume I [-II].A. Millar, London; and A. Kincaid & J. Bell, Edinburgh., 1765 |
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... those of reafon , fuf- ficient to unravel all the intricacies of philofophy . Nor ought it to be overlooked , that the rea- fonings employed upon the fine arts are of the fame kind with thofe which regulate our con- duct . Mathematical ...
... those of reafon , fuf- ficient to unravel all the intricacies of philofophy . Nor ought it to be overlooked , that the rea- fonings employed upon the fine arts are of the fame kind with thofe which regulate our con- duct . Mathematical ...
9 psl.
... those men- tioned ; but no other paffion is fo unwearied an an- tagonist to the fweets of focial intercourfe : thefe paffions , tending affiduously to their gratification , put a man perpetually in oppofition to others ; and difpofe him ...
... those men- tioned ; but no other paffion is fo unwearied an an- tagonist to the fweets of focial intercourfe : thefe paffions , tending affiduously to their gratification , put a man perpetually in oppofition to others ; and difpofe him ...
10 psl.
Volume I [-II]. Lord Henry Home Kames. moderate those that are selfish . To be convinced of this tendency , we need only reflect , that deli- cacy of taste neceffarily heightens our fenfibility of pain and pleasure , and of course our ...
Volume I [-II]. Lord Henry Home Kames. moderate those that are selfish . To be convinced of this tendency , we need only reflect , that deli- cacy of taste neceffarily heightens our fenfibility of pain and pleasure , and of course our ...
22 psl.
... those which are more general . Why this difference in matters that appear fo nearly related ? I anfwer , That the ca- fes are fimilar in appearance only , not in reality . In an hiftorical chain , every event is particular , the effect ...
... those which are more general . Why this difference in matters that appear fo nearly related ? I anfwer , That the ca- fes are fimilar in appearance only , not in reality . In an hiftorical chain , every event is particular , the effect ...
23 psl.
... those only who with rigidity adhere to order , and give no indulgence to natural emo- tions * . It appears then that we are framed by nature to relish order and connection . When an object is introduced by a proper connection , we are ...
... those only who with rigidity adhere to order , and give no indulgence to natural emo- tions * . It appears then that we are framed by nature to relish order and connection . When an object is introduced by a proper connection , we are ...
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action againſt agreeable alfo alſo appears arifing arts beauty becauſe Cæfar cafe cauſe chap circumftance colour connection courfe courſe defcribing defire degree difagreeable difcover diftrefs dignity diſtinguiſh effect elevation emotion raiſed eſteem expreffion faid fame kind fcarce feeling feems fenfe fenfible fentiment fhall fhould fight fimilar final caufe fingle fingular fion firft firſt fmall fo complex focial fome fometimes foon fpecies fpectator ftill ftrong fubject fublime fucceffion fuch fufficient furpriſe fwell grandeur gratification happineſs hath himſelf Hudibras ideal prefence ideas impreffion inftances interefting itſelf ject lefs meaſure mind moft moſt motion mufic muft muſt nature neceffary novelty obfervation object occafion oppofite Othello paffage paffing paffion pain perceive perceptions perfon pleaſant pleaſure prefent produce produceth propenfity puniſhment purpoſe qualities raife reafon refemblance reflection refpect reliſh ridicule rifible ſelfiſh Shakeſpear ſtill tafte taſte thefe theſe thing thofe thoſe tion uſeful variety
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