Elements of Criticism: Volume I [-II].A. Millar, London; and A. Kincaid & J. Bell, Edinburgh., 1765 |
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119 psl.
... rule . rule . It is directly in proportion to the degree Part IV . EMOTIONS AND PASSIONS . 119.
... rule . rule . It is directly in proportion to the degree Part IV . EMOTIONS AND PASSIONS . 119.
120 psl.
Volume I [-II]. Lord Henry Home Kames. rule . It is directly in proportion to the degree of resemblance between the emotions , and in- versely in proportion to the degree of connection between the causes : to feel this pleasure in per ...
Volume I [-II]. Lord Henry Home Kames. rule . It is directly in proportion to the degree of resemblance between the emotions , and in- versely in proportion to the degree of connection between the causes : to feel this pleasure in per ...
128 psl.
... rules are derived from them , which fhall afterward be mentioned ; but for inftant gratification in part , the reader will accept the following fpecimen , be- ing an application of thefe obfervations to mufic . It must be premifed ...
... rules are derived from them , which fhall afterward be mentioned ; but for inftant gratification in part , the reader will accept the following fpecimen , be- ing an application of thefe obfervations to mufic . It must be premifed ...
131 psl.
... rules either in the French or Italian opera ; and the attachment we have to these com- pofitions , may at firft fight be confidered as an ar- gument against the foregoing doctrine . But the general taste for operas is at bottom no argu ...
... rules either in the French or Italian opera ; and the attachment we have to these com- pofitions , may at firft fight be confidered as an ar- gument against the foregoing doctrine . But the general taste for operas is at bottom no argu ...
169 psl.
... rule in painting , that the drapery ought not to adhere to the body , but hang loofe , that the figures may appear easy and free in their move- ments . The constrained pofture of a French dancing - mafter in one of Hogarth's pieces , is ...
... rule in painting , that the drapery ought not to adhere to the body , but hang loofe , that the figures may appear easy and free in their move- ments . The constrained pofture of a French dancing - mafter in one of Hogarth's pieces , is ...
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action againſt agreeable alfo alſo appears arifing arts beauty becauſe Cæfar cafe cauſe chap circumftance colour connection courfe courſe defcribing defire degree difagreeable difcover diftrefs dignity diſtinguiſh effect elevation emotion raiſed eſteem expreffion faid fame kind fcarce feeling feems fenfe fenfible fentiment fhall fhould fight fimilar final caufe fingle fingular fion firft firſt fmall fo complex focial fome fometimes foon fpecies fpectator ftill ftrong fubject fublime fucceffion fuch fufficient furpriſe fwell grandeur gratification happineſs hath himſelf Hudibras ideal prefence ideas impreffion inftances interefting itſelf ject lefs meaſure mind moft moſt motion mufic muft muſt nature neceffary novelty obfervation object occafion oppofite Othello paffage paffing paffion pain perceive perceptions perfon pleaſant pleaſure prefent produce produceth propenfity puniſhment purpoſe qualities raife reafon refemblance reflection refpect reliſh ridicule rifible ſelfiſh Shakeſpear ſtill tafte taſte thefe theſe thing thofe thoſe tion uſeful variety
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