Elements of Criticism, 1 tomasA. Miller, London; and A. Kincaid & J. Bell, Edinburgh, 1765 |
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115 psl.
... proportion to its in- crement . In fhort , man with respect to this life , is a temporary being : he grows , becomes fta- tionary , decays ; and fo must all his powers and paffions . To PART IV . Coexiftent emotions and passions . O ...
... proportion to its in- crement . In fhort , man with respect to this life , is a temporary being : he grows , becomes fta- tionary , decays ; and fo must all his powers and paffions . To PART IV . Coexiftent emotions and passions . O ...
118 psl.
... proportion to the degree of their refemblance , and the degree in which their caufes are connected . Thus the emotions produced by a fine landscape and the finging of birds , being fimilar in a confiderable degree , rea → dily unite ...
... proportion to the degree of their refemblance , and the degree in which their caufes are connected . Thus the emotions produced by a fine landscape and the finging of birds , being fimilar in a confiderable degree , rea → dily unite ...
119 psl.
... from fimilar emotions coexiftent , which may be termed the pleasure of concord or harmony , is afcertained by a different rule . I 4 rule . It is directly in proportion to the degree Part IV . EMOTIONS AND PASSIONS . 119.
... from fimilar emotions coexiftent , which may be termed the pleasure of concord or harmony , is afcertained by a different rule . I 4 rule . It is directly in proportion to the degree Part IV . EMOTIONS AND PASSIONS . 119.
120 psl.
Lord Henry Home Kames. rule . It is directly in proportion to the degree of refemblance between the emotions , and in- verfely in proportion to the degree of connection . between the causes ; to feel this pleasure in per- fection , the ...
Lord Henry Home Kames. rule . It is directly in proportion to the degree of refemblance between the emotions , and in- verfely in proportion to the degree of connection . between the causes ; to feel this pleasure in per- fection , the ...
155 psl.
... proportion to the - number of perceptions and ideas that have passed during that interval . This measure is indeed far from being perfect ; because in a quick and in a flow fucceffion , it must evidently produce different computations ...
... proportion to the - number of perceptions and ideas that have passed during that interval . This measure is indeed far from being perfect ; because in a quick and in a flow fucceffion , it must evidently produce different computations ...
Pagrindiniai terminai ir frazės
action againſt agreeable alfo alſo appears arifing arts beauty becauſe Cæfar cafe caufe cauſe circumſtances colour connection courfe courſe criticifm defcribing defcription defire degree difagreeable diffimilar diftinct diftrefs diſcover diſtinguiſhable effect elevation emotion raiſed eſteem exiſtence expreffion faid fame feeling fenfe fenfible fentiment fhall fhould fhows fight fimilar fingle fingular fion firft firſt focial fome fometimes foon fpectator ftill ftrong fubject fublime fucceffion fuch fufficient furpriſe fwell grandeur gratification happineſs hath himſelf ideal prefence ideas impreffion inftances intereſting itſelf ject lefs leſs meaſure mind moft moſt motion mufic muft muſic muſt nature neceffary neral obfervation object occafion oppofite Othello paffage paffing paffion pain perceive perceptions perfon pleaſant emotion pleaſure prefent produce produceth propenfity puniſhment purpoſe qualities raife reafon reflection refpect reliſh reſemblance ſcarce ſelfiſh Shakeſpear ſtate ſtill tafte taſte thefe ther theſe thing thofe thoſe thou tion uſe