Elements of Criticism: Volume I [-II].A. Millar, London; and A. Kincaid & J. Bell, Edinburgh., 1765 |
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115 psl.
... proportion to its in- crement . In short , man with refpect to this life , is a temporary being : he grows , becomes fta- tionary , decays ; and fo must all his powers and paffions . T PART IV . Coexiftent emotions and paffions . have a ...
... proportion to its in- crement . In short , man with refpect to this life , is a temporary being : he grows , becomes fta- tionary , decays ; and fo must all his powers and paffions . T PART IV . Coexiftent emotions and paffions . have a ...
118 psl.
... proportion to the degree of their refemblance , and the degree in which their caufes are connected . Thus the emotions produced by a fine landscape and the finging of birds , being fimilar in a confiderable degree , rea- dily unite ...
... proportion to the degree of their refemblance , and the degree in which their caufes are connected . Thus the emotions produced by a fine landscape and the finging of birds , being fimilar in a confiderable degree , rea- dily unite ...
119 psl.
... from fimilar emotions coexiftent , which may be termed the pleasure of concord or harmony , is afcertained by a different H 4 rule . rule . It is directly in proportion to the degree Part IV . EMOTIONS AND PASSIONS . 119.
... from fimilar emotions coexiftent , which may be termed the pleasure of concord or harmony , is afcertained by a different H 4 rule . rule . It is directly in proportion to the degree Part IV . EMOTIONS AND PASSIONS . 119.
120 psl.
... proportion to the degree of resemblance between the emotions , and in- versely in proportion to the degree of connection between the causes : to feel this pleasure in per- fection , the refemblance cannot be too ftrong , nor the ...
... proportion to the degree of resemblance between the emotions , and in- versely in proportion to the degree of connection between the causes : to feel this pleasure in per- fection , the refemblance cannot be too ftrong , nor the ...
155 psl.
... proportion to the number of perceptions and ideas that have paffed during that interval . This measure is indeed far from being perfect ; because in a quick and in a flow fucceffion , it must evidently produce different computations ...
... proportion to the number of perceptions and ideas that have paffed during that interval . This measure is indeed far from being perfect ; because in a quick and in a flow fucceffion , it must evidently produce different computations ...
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action againſt agreeable alfo alſo appears arifing arts beauty becauſe Cæfar cafe cauſe chap circumftance colour connection courfe courſe defcribing defire degree difagreeable difcover diftrefs dignity diſtinguiſh effect elevation emotion raiſed eſteem expreffion faid fame kind fcarce feeling feems fenfe fenfible fentiment fhall fhould fight fimilar final caufe fingle fingular fion firft firſt fmall fo complex focial fome fometimes foon fpecies fpectator ftill ftrong fubject fublime fucceffion fuch fufficient furpriſe fwell grandeur gratification happineſs hath himſelf Hudibras ideal prefence ideas impreffion inftances interefting itſelf ject lefs meaſure mind moft moſt motion mufic muft muſt nature neceffary novelty obfervation object occafion oppofite Othello paffage paffing paffion pain perceive perceptions perfon pleaſant pleaſure prefent produce produceth propenfity puniſhment purpoſe qualities raife reafon refemblance reflection refpect reliſh ridicule rifible ſelfiſh Shakeſpear ſtill tafte taſte thefe theſe thing thofe thoſe tion uſeful variety
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