Elements of Criticism: Volume I [-II].A. Millar, London; and A. Kincaid & J. Bell, Edinburgh., 1765 |
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138 psl.
... character is done to reconcile the two opposite paffions ; he is refolved to put her to death , but he will not fhed her blood , nor fo much as ruffle her skin : Othello , It is the caufe , it is the cause , my foul ; Let me not name it ...
... character is done to reconcile the two opposite paffions ; he is refolved to put her to death , but he will not fhed her blood , nor fo much as ruffle her skin : Othello , It is the caufe , it is the cause , my foul ; Let me not name it ...
186 psl.
... character of fweetnefs and gaiety . Confidering attentively the beauty of visible objects , we discover two kinds . The first may be termed intrinfic beauty , because it is difcover- ed in a fingle object viewed apart without rela- tion ...
... character of fweetnefs and gaiety . Confidering attentively the beauty of visible objects , we discover two kinds . The first may be termed intrinfic beauty , because it is difcover- ed in a fingle object viewed apart without rela- tion ...
201 psl.
... character , unless , together with its fize , it be poffeffed of other qualities that contri- bute to beauty , fuch as regularity , proportion , order , or colour : and according to the num- ber of fuch qualities combined with magni ...
... character , unless , together with its fize , it be poffeffed of other qualities that contri- bute to beauty , fuch as regularity , proportion , order , or colour : and according to the num- ber of fuch qualities combined with magni ...
202 psl.
... character of fweetnefs and gaiety . The emotion of grandeur has a different character : a large object that is agreeable , occupies the whole attention , and fwells the heart into a vivid emo- tion , which , though extremely pleafant ...
... character of fweetnefs and gaiety . The emotion of grandeur has a different character : a large object that is agreeable , occupies the whole attention , and fwells the heart into a vivid emo- tion , which , though extremely pleafant ...
211 psl.
... is called a low tafte . The fame terms are applied to characters and actions : we talk familiarly of an elevated genius , of a great O 2 man , man , and equally fo of littleness of mind : Ch.IV. GRANDEUR AND SUBLIMITY . 211.
... is called a low tafte . The fame terms are applied to characters and actions : we talk familiarly of an elevated genius , of a great O 2 man , man , and equally fo of littleness of mind : Ch.IV. GRANDEUR AND SUBLIMITY . 211.
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Pagrindiniai terminai ir frazės
action againſt agreeable alfo alſo appears arifing arts beauty becauſe Cæfar cafe cauſe chap circumftance colour connection courfe courſe defcribing defire degree difagreeable difcover diftrefs dignity diſtinguiſh effect elevation emotion raiſed eſteem expreffion faid fame kind fcarce feeling feems fenfe fenfible fentiment fhall fhould fight fimilar final caufe fingle fingular fion firft firſt fmall fo complex focial fome fometimes foon fpecies fpectator ftill ftrong fubject fublime fucceffion fuch fufficient furpriſe fwell grandeur gratification happineſs hath himſelf Hudibras ideal prefence ideas impreffion inftances interefting itſelf ject lefs meaſure mind moft moſt motion mufic muft muſt nature neceffary novelty obfervation object occafion oppofite Othello paffage paffing paffion pain perceive perceptions perfon pleaſant pleaſure prefent produce produceth propenfity puniſhment purpoſe qualities raife reafon refemblance reflection refpect reliſh ridicule rifible ſelfiſh Shakeſpear ſtill tafte taſte thefe theſe thing thofe thoſe tion uſeful variety
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