Metaphor and FilmCambridge University Press, 1990-09-28 - 178 psl. In Metaphor and Film, Trevor Whittock demonstrates that feature films are permeated by metaphors that were consciously introduced by directors. An examination of cinematic metaphor forces us to reconsider the nature of metaphor itself, and the ways by which such visual imagery can be recognised and understood, as well as interpreted. Metaphor and Film identifies the principal forms of cinematic metaphor, and also provides an analysis of the mental operations that one must bring to it. Recent developments in cognitive psychology, especially those relating to the nature and formation of categories, are called upon to explain these processes. Metaphor and Film ranges widely over film theory as it does over philosophical, literary, linguistic, and psychological accounts of metaphor. Particularly useful to those studying film, literature, and aesthetics, this study is also a provocative contribution to an important debate in which film theorists and philosophers are currently engaged. |
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Turinys
Acknowledgments page vii | 1 |
Language metaphor and the film image | 20 |
Planes of discourse in cinema | 37 |
Varieties of cinematic metaphor | 49 |
Theories of cinematic metaphor | 70 |
The minds eye | 97 |
On denotation and the literal in films | 133 |
Searle on metaphor | 135 |
Notes | 141 |
Bibliography | 162 |
Filmography | 171 |
175 | |
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Pagrindiniai terminai ir frazės
account of metaphor Alfred Hitchcock artistic aspects associated audience become camera Cassirer chap Chapter Christian Metz cinematic metaphor cited Clifton cognitive concept condensation context critics D. W. Griffith depicted discourse discussion displacement distortion E. H. Gombrich Eisenstein employed entail essay example experience explanation film image Film Theory filmic filmmaker François Truffaut Freud function I. A. Richards Ibid ideas identify imaginative theory inner speech interpretation Jean Mitry juxtaposition Lakoff language linguistic literal literary London meta metonymy Metz's Michelangelo Antonioni mind modes montage muthos notion objective correlative organization Oxford University Press phor poetic present Psychoanalysis reality reference relation rhetorical Ricoeur Rudolf Arnheim schema schemata Searle semantic sense sentence sequence Sergei Eisenstein shot significance simile spectator structure suggested symbol synecdoche syntagmatic tacit tenor and vehicle theory of metaphor things thought tion trans tropes type of metaphor verbal visual words writes