Elements of Criticism: Volume I [-II].A. Millar, London; and A. Kincaid & J. Bell, Edinburgh., 1765 |
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23 psl.
... appears then that we are framed by nature to relish order and connection . When an object is introduced by a proper connection , we are confcious of a certain pleafure arifing from that circumftance . Among objects of equal rank , the ...
... appears then that we are framed by nature to relish order and connection . When an object is introduced by a proper connection , we are confcious of a certain pleafure arifing from that circumftance . Among objects of equal rank , the ...
28 psl.
... appear necef- fary , or even natural , to suspend , for fo long a time , the principal action in its moft in- teresting period to engage Eneas to wander from his courfe in fearch of an adventure fo ex- traordinary , the poet can find no ...
... appear necef- fary , or even natural , to suspend , for fo long a time , the principal action in its moft in- teresting period to engage Eneas to wander from his courfe in fearch of an adventure fo ex- traordinary , the poet can find no ...
32 psl.
... appears in this view to be a direct avenue to the heart of man . The in- quifitive mind beginning with criticism , the most agreeable of all amusements , and finding no ob- ftruction in its progrefs , advances far into the fen- fitive ...
... appears in this view to be a direct avenue to the heart of man . The in- quifitive mind beginning with criticism , the most agreeable of all amusements , and finding no ob- ftruction in its progrefs , advances far into the fen- fitive ...
33 psl.
... appears the beft method to take a furvey of human nature , and to fet before the eye , plainly and candidly , facts as they really exist . PART . 1 . Caufes unfolded of the emotions and paffions . SECT . I. Difference between emotion ...
... appears the beft method to take a furvey of human nature , and to fet before the eye , plainly and candidly , facts as they really exist . PART . 1 . Caufes unfolded of the emotions and paffions . SECT . I. Difference between emotion ...
37 psl.
... hence by the way it appears , that the beauty of fuch an object is com- plex , refolvable into feveral beauties more simple . C 3 Having : Having explained the nature of an emotion , and Part I. EMOTIONS AND PASSIONS . 37.
... hence by the way it appears , that the beauty of fuch an object is com- plex , refolvable into feveral beauties more simple . C 3 Having : Having explained the nature of an emotion , and Part I. EMOTIONS AND PASSIONS . 37.
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Pagrindiniai terminai ir frazės
action againſt agreeable alfo alſo appears arifing arts beauty becauſe Cæfar cafe cauſe chap circumftance colour connection courfe courſe defcribing defire degree difagreeable difcover diftrefs dignity diſtinguiſh effect elevation emotion raiſed eſteem expreffion faid fame kind fcarce feeling feems fenfe fenfible fentiment fhall fhould fight fimilar final caufe fingle fingular fion firft firſt fmall fo complex focial fome fometimes foon fpecies fpectator ftill ftrong fubject fublime fucceffion fuch fufficient furpriſe fwell grandeur gratification happineſs hath himſelf Hudibras ideal prefence ideas impreffion inftances interefting itſelf ject lefs meaſure mind moft moſt motion mufic muft muſt nature neceffary novelty obfervation object occafion oppofite Othello paffage paffing paffion pain perceive perceptions perfon pleaſant pleaſure prefent produce produceth propenfity puniſhment purpoſe qualities raife reafon refemblance reflection refpect reliſh ridicule rifible ſelfiſh Shakeſpear ſtill tafte taſte thefe theſe thing thofe thoſe tion uſeful variety
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