your tread, and if you stop you hear the distant melancholy howl of your watch-dog, the scream of an owl, and other noises, far and near, not so easily explained. A sense of strangeness surrounds you and weighs you down. If you are alone, you walk faster; if there are two of you, you draw close to your companion. My wife clung to my arm. "Let us turn wood-cutters. We could build a pretty little hut, simple, but nice enough. I would have curtains to the windows, and a carpet, and put my piano in one corner." She spoke very low, and occasionally I felt my hand tremble on her arm. "You would soon get enough of that, dearest." "It isn't fair to say so." And in another minute she went on:- "You think I don't love you, you and our boy? Oh yes, dear, I love you. Yes, yes, yes! The happiness that comes every day can't be expressed: we live on it, so we don't think of it. Like our daily bread - who thinks of that? But when you are thinking of yourself, when you put your head down, and really think, then you say, 'I am ungrateful, for I am happy, and I give no thanks for it.' Or when we are alone together, and walking arm-in-arm, now, at this very moment,- not that I mean only this moment,-I love you, I love you." She put her head down on my arm and pressed it earnestly. "Oh," she said, "if I were to lose you!" She spoke very low, as if afraid. What had frightened her? The darkness and the forest, or her own words? She went on: "I have often and often dreamed that I was saying good-by to you. You both cried, and I pressed you so close to my heart that there was only one of us. It was a nightmare, you know, but I don't mind it, for it showed me that my life was in your lives, dear. What is that cracking noise? Didn't you see something just in front of us?" I answered her by taking her in my arms and folding her to my heart. We walked on, but it was impossible to go on talkEvery now and then she would stop and say, "Hush! No, it is nothing." ing. hark! At last we saw ahead of us a little light, now visible, now hidden by a tree. It was the lamp set for us in our parlor window. We crossed the stile and were at home. It was high time, for we were wet through. I brought a huge log, and when the fire had blazed up we sat down in the great chimney-place. The poor girl was shivering. I took off her boots and held her feet to the fire, screening them with my hands. "Thanks, dear George, thanks!" she said, leaning on my shoulder and looking at me so tenderly that I felt almost ready to cry. "What were you saying to me in that horrid wood, my darling?" I asked her, when she was better. "You are thinking about that? I was frightened, that is all, and when you are frightened you see ghosts. "We shall be wood-cutters, shan't we?" >> And kissing me, with a laugh, she replied: "It is bedtime, Jean of the Woods." I well remember that walk, for it was our last. Often and often since, at sunset on a dark day, I have been over the same ground; often and often I have stopped where she stood, and stooped and pulled aside the fern, seeking to find, poor fool that I am! the traces of her vanished footsteps. And I have often halted in the clearing under the birches which rained down on us, and there in the shadow I have fancied I caught the flutter of her dress; I have thought I heard her startled note of fright. And on my way home at night, at every step I have found a recollection of her in the distant barking and the breaking branches, as in the trembling of her hand on my arm and the kiss which I gave her. Once I went into the wood-hut. I saw it all as before, the family, the smoky interior, the little bench on which we sat,and I asked for something to drink, that I might see the glass her lips had touched. "The little lady who makes such good omelettes, she isn't sick, for sure?" asked the old woman. Probably she saw the tears in my eyes, for she said no more, and I came away. And so it is that except in my heart, where she lives and is, all that was my darling grows faint and dark and dim. Even my poor It is the law of life, but it is a cruel law. child is learning to forget, and when I say to him most unwillingly, "Baby dear, do you remember how your mother did this or that? he answers "Yes"; but I see, alas! that he too is ceasing to remember. Translation of Agnes Irwin. HENRY DRUMMOND (1851-) NE of the most widely read of modern essayists, Henry Drummond, was born at Stirling, Scotland, in 1851. Educated for the ministry, he passed through the Universities of Edinburgh and Tübingen, and the Free Church Divinity Hall, and after ordination was appointed to a mission chapel at Malta. The beauty and the historic interest of the famous island roused in him a desire for travel, and in the intervals of his professional work he has made semi-scientific pilgrimages to the Rocky Mountains and to South Africa, as well as lecturing tours to Canada, Australia, and the United States, where his addresses on scientific, religious, and sociological subjects have attracted large audiences. A man of indefatigable industry, he has published many books, the most widely read of these being 'Natural Law in the Spiritual World,' a study of psychological conditions from the point of view of the Evolutionist. This work has passed through a large number of editions, and been translated into French, German, Dutch, and Norwegian. Scarcely less popular were 'The Greatest Thing in the World' (love), and 'Pax Vobiscum. In 1894 he published a volume called 'The Ascent of Man,' in which he insists that certain altruistic factors modify the process of Natural Selection. This doctrine elicited much critical commentary from the stricter sects of the scientists, but the new view commended itself at once to the general reader. HENRY DRUMMOND The citations here given are selected from Mr. Drummond's book of travels, Tropical Africa,' a book whose simplicity and vividness enable the reader to see the Dark Continent exactly as it is. IX-307 N° - THE COUNTRY AND ITS PEOPLE From Tropical Africa› OTHING could more wildly misrepresent the reality than the idea of one's school days that the heart of Africa is a desert. Africa rises from its three environing oceans in three great tiers, and the general physical geography of these has been already sketched: - first, a coast line, low and deadly; farther in, a plateau the height of the Scottish Grampians; farther in still, a higher plateau, covering the country for thousands of miles with mountain and valley. Now fill in this sketch, and you have Africa before you. Cover the coast belt with rank yellow grass; dot here and there a palm; scatter through it a few demoralized villages; and stock it with the leopard, the hyena, the crocodile, and the hippopotamus. Clothe the mountainous plateaux next, both of them, with endless forests; not grand umbrageous forest like the forests of South America, nor matted jungle like the forests of India, but with thin, rather weak forest, with forest of low trees, whose half-grown trunks and scanty leaves offer no shade from the tropical sun. Nor is there anything in these trees to the casual eye to remind you that you are in the tropics. Here and there one comes upon a borassus or fan-palm, a candelabra-like euphorbia, a mimosa aflame with color, or a sepulchral baobab. A close inspection also will discover curious creepers and climbers; and among the branches strange orchids hide their eccentric flowers. But the outward type of tree is the same as we have at home. - trees resembling the ash, the beech, and the elm, only seldom so large except by the streams, and never so beautiful. Day after day you may wander through these forests, with nothing except the climate to remind you where you are. The beasts to be sure are different, but unless you watch for them you will seldom see any; the birds are different, but you rarely hear them; and as for the rocks, they are our own familiar gneisses and granites, with honest basalt dikes boring through them, and leopard-skin lichens staining their weathered sides. Thousands and thousands of miles, then, of vast thin forest, shadeless, trackless, voiceless, -forest in mountain and forest in plain,- this is East Central Africa. The indiscriminate praise, formerly lavished on tropical vegetation, has received many shocks from recent travelers. In Kaffir-land, South Africa, I have seen one or two forests fine enough to justify the enthusiasm of arm-chair word-painters of the tropics; but so far as the central plateau is concerned, the careful judgment of Mr. Alfred Russell Wallace respecting the equatorial belt in general (a judgment which has at once sobered all modern descriptions of tropical lands and made imaginative people more content to stay at home) applies almost to this whole area. The fairy labyrinth of ferns and palms, the festoons of climbing plants blocking the paths and scenting the forests with their resplendent flowers, the gorgeous clouds of insects, the gayly plumaged birds, the paroquets, the monkey swinging from his trapeze in the shaded bowers - these are unknown to Africa. Once a week you will see a palm; once in three months the monkey will cross your path; the flowers on the whole are few; the trees are poor; and to be honest, though the endless forestclad mountains have a sublimity of their own, and though there are tropical bits along some of the mountain streams of exquisite beauty, nowhere is there anything in grace and sweetness and strength to compare with a Highland glen. For the most part of the year these forests are jaded and sun-stricken, carpeted with no moss or alchemylla or scented woodruff, the bare trunks. frescoed with few lichens, their motionless and unrefreshed leaves drooping sullenly from their sapless boughs. Flowers there are, small and great, in endless variety; but there is no display of flowers, no gorgeous show of blossom in the mass, as when the blazing gorse and heather bloom at home. The dazzling glare of the sun in the torrid zone has perhaps something to do with this want of color effect in tropical nature; for there is always about ten minutes just after sunset when the whole tone of the landscape changes like magic, and a singular beauty steals over the scene. This is the sweetest moment of the African day, and night hides only too swiftly the homelike softness and repose so strangely grateful to the over-stimulated eye. Hidden away in these endless forests, like birds' nests in a wood, in terror of one another and of their common foe the slaver, are small native villages; and here in his virgin simplicity dwells primeval man, without clothes, without civilization, without learning, without religion—the genuine child of nature, thoughtless, careless, and contented. This man is apparently quite happy; he has practically no wants. One stick, pointed, makes him a spear; two sticks rubbed together make him a fire; fifty |