The Personality of Shakespeare: A Venture in Psychological MethodYale University Press, 1953 - 243 psl. First of all, as the title indicates, I am concerned with exploring a method. This method derives from the theory of personality projection. It is quantitative in part, but its operation depends, as everything in science does, upon a human observer and assessor. With regard to the personality of Shakespeare, I should like to make it plain that I have not attempted to be comprehensive and final. I do not see how we can be comprehensive and final with regard to any personality. Here, in studying Shakespeare, I have been deliberately fragmentary, limiting myself to a mere handful of questions. In particular, I have not tried to analyze the plays as artistic wholes in their entire complexity, but have only traced out a few general characteristics and a few patterns, which I have called "themes," occurring in more than one play. My analysis has focused on the dramatis personae and their interrelations. - Preface. |
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70 psl.
... male weight falls to equality with the female ; the scores range from 13 to 100 , and the mean is 61. In other words , the male weight on the average exceeds the female weight four to one . It is impossible to say how much this result ...
... male weight falls to equality with the female ; the scores range from 13 to 100 , and the mean is 61. In other words , the male weight on the average exceeds the female weight four to one . It is impossible to say how much this result ...
98 psl.
... males which suggest more than a casual association with an aging organ- ism Like the dramatist , the top - ranking male characters are older in the later plays than in the earlier . In the early plays they are young lovers or ...
... males which suggest more than a casual association with an aging organ- ism Like the dramatist , the top - ranking male characters are older in the later plays than in the earlier . In the early plays they are young lovers or ...
160 psl.
... male heroes of the plays ; and it may be that there was a latent homosexuality , indicated by the occasional rise to dominance of the feminine components , as well as by his favorite dramatic trick of disguising heroines in male attire ...
... male heroes of the plays ; and it may be that there was a latent homosexuality , indicated by the occasional rise to dominance of the feminine components , as well as by his favorite dramatic trick of disguising heroines in male attire ...
Turinys
PREFACE | 1 |
On Some Questions of Theory and Method | 15 |
AWEW Alls Well That Ends Well | 42 |
Autorių teisės | |
Nerodoma skirsnių: 13
Kiti leidimai - Peržiūrėti viską
The Personality of Shakespeare– A Venture in Psychological Method Harold Grier McCurdy Trumpų ištraukų rodinys - 1953 |
Pagrindiniai terminai ir frazės
action actors analysis Antipholus Antonio appear Ariel average behavior Benedick betrayal Caliban Camillo cent character weights Charlotte Brontë child Claudio Cloten comedy complex conscious Coriolanus count curve Cymbeline daughter death dramatic dream Duke emotional evidence example fact Falstaff father Freud Gentlemen of Verona Gloucester Hamlet Henry Henry IV Hermione Hero human husband Iachimo Iago imagination Imogen interpretation introjected Juliet kill kind King Lear Leontes literary lover weight Macbeth male Mamillius Marlowe ment Midsummer Night's Dream mother murder nature object Oedipus complex Othello perhaps Pericles plays Polixenes Polonius possible Posthumus present problem Prospero Proteus psychoanalytic psychological psychologists queen regard relations relationship Romeo sexual Shake Shakespeare Shakespeare's personality soul speak speare speare's Speech Lines story Stratford Table Tempest thee theme theory thou Timon tion top character top-ranking character traits Troilus Vincentio wife William Shakespeare Winter's Tale