The Speaking of English VerseJ.M. Dent & Sons, Limited, 1923 - 254 psl. |
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vii psl.
... prose poem . Or again , we speak of poetry in a more definite and formal sense when we mean the expression of these things in ordered and harmonious patterns of words : in what we call verse . Here we feel something has been created out ...
... prose poem . Or again , we speak of poetry in a more definite and formal sense when we mean the expression of these things in ordered and harmonious patterns of words : in what we call verse . Here we feel something has been created out ...
xi psl.
... prose and verse the author gratefully acknowledges her indebtedness to the following , also acknowledged in the text : John Drinkwater , Siegfried Sassoon , Ralph Hodgson , Hilaire Belloc , John Mase- field and Sir Henry Newbolt . To ...
... prose and verse the author gratefully acknowledges her indebtedness to the following , also acknowledged in the text : John Drinkwater , Siegfried Sassoon , Ralph Hodgson , Hilaire Belloc , John Mase- field and Sir Henry Newbolt . To ...
xii psl.
Elsie Fogerty. To Professor W. A. Mackail for permission to include some lines of his prose translations of Sappho from Lectures on Greek Poetry . To the literary executors of James Elroy Flecker , and to Mr. Martin Secker , the ...
Elsie Fogerty. To Professor W. A. Mackail for permission to include some lines of his prose translations of Sappho from Lectures on Greek Poetry . To the literary executors of James Elroy Flecker , and to Mr. Martin Secker , the ...
xvi psl.
... , the whole poem from which it is taken should be read ; the spirit of a poem governs the nature of all the technical details of its interpretation . CONTENTS CHAP . INTRODUCTION I. THE DISTINCTION BETWEEN PROSE AND xvi NOTE.
... , the whole poem from which it is taken should be read ; the spirit of a poem governs the nature of all the technical details of its interpretation . CONTENTS CHAP . INTRODUCTION I. THE DISTINCTION BETWEEN PROSE AND xvi NOTE.
xvii psl.
Elsie Fogerty. CONTENTS CHAP . INTRODUCTION I. THE DISTINCTION BETWEEN PROSE AND VERSE II . MUSIC AND POETRY • III . THE HISTORY OF VERSE PATTERNS PAGE vii 1 12 25 IV . THE HISTORY OF POETIC FORM . 70 V. THE ELEMENTS OF VERSE SPEAKING ...
Elsie Fogerty. CONTENTS CHAP . INTRODUCTION I. THE DISTINCTION BETWEEN PROSE AND VERSE II . MUSIC AND POETRY • III . THE HISTORY OF VERSE PATTERNS PAGE vii 1 12 25 IV . THE HISTORY OF POETIC FORM . 70 V. THE ELEMENTS OF VERSE SPEAKING ...
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Pagrindiniai terminai ir frazės
abdominal accent Accentual Verse achieved action actor artistic assonance audible audience ballad beauty breath cadence Chapter character chaunt chest child consonants dancing delight diction diphthong dramatic verse duration elements emotional English epic epic poetry example exercise expression force French G. K. CHESTERTON give Greek hear inspiration Keats language logical lyric poetry lyric verse marked meaning Merchant of Venice metric metrists modern movement muscles nasal natural notes onomatopoeia passage patter song pattern pause perfect phonetic pitch play poem poet poet's poetic form prose prosody quantity Ralph Hodgson refrain resonance result rhyme rhythm rhythmic ribs Robert Bridges ROBERT BROWNING RUPERT BROOKE satyric verse scansion Scene sense Shakespeare significance singer singing song sonnet spacial speak speaker spoken standard stress syllables theatre thee things thou tion tongue true tune utterance verse-speaking vocal tone voice vowel quality vowel sound whole words
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97 psl. - The breath whose might I have invoked in song Descends on me; my spirit's bark is driven, Far from the shore, far from the trembling throng Whose sails were never to the tempest given; The massy earth and sphered skies are riven! I am borne darkly, fearfully, afar; Whilst burning through the inmost veil of Heaven, The soul of Adonais, like a star, Beacons from the abode where the Eternal are.
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