forces on the 25th of November, the citizens gladly returned from their seven years' exile to their "altars and their homes." The Middle Church was repaired and reopened July 4, 1790. The pastor, Dr. Livingston, thus alluded to the recent history of the edifice : When destruction is caused by the hand of Heaven, by earthquakes, storms, or fire, we are silent before God, and dare not reply. But when men have been the instruments it is different, although proper to forget the interposition of the means. I dare not speak of the wanton cruelty of those who destroyed this temple, nor repeat the various indignities which have been perpetrated. It would be easy to mention facts which would chill your blood! A recollection of the groans of dying prisoners, which pierced the ceiling, or the sacrilegious sports, and rough feats of horsemanship exhibited within these walls, might raise sentiments in your mind that would, perhaps, not harmonize with those religious affections which I wish at present to promote, and always to cherish. The Lord has sufficiently vindicated our cause, and avenged us of those who rose up against us. He guided our Joshua for the field, and led him, with his train of heroes, to victory. But as New York increased in size the tide of population turned to the upper part of the city. The audiences which had formerly assembled in the Middle Church withdrew to the more convenient places of worship up town, and it became evident that this time-honored edifice would have to be relinquished. The North Church, on the corner of Fulton and William-streets, erected in 1769, and closely identified with the present revival, sufficiently accommodated the members in the lower part of the city, and an opportunity having occurred to lease the Middle Church to the United States government for a post-office, the edifice was abandoned. The last sermon was preached by Dr. Knox, the senior pastor, recently deceased, on Sabbath evening, August 11, 1844. That good man said: We now bid adieu to this place, endeared by more than a century's fond associations. It is a moment and an occasion of melancholy sadness. But our God is not a God of the hills or of the valleys, of this place or that place alone, no mere local Deity. We bow to his will, indicated by his providence, and cherish the hope that his gracious presence, here vouchsafed so long with us and our fathers, will also, elsewhere, be with us and our children. The vaults around, wherein repose the precious dust of the honored dead, are secured from invasion, and are at the control of those who feel the deepest interest in their sacred contents. After the discourse a brief address was made by Dr. De Witt, and the service closed by him with pronouncing the apostolic benediction in the Dutch language. LITTLE BENNY AND SANTA CLAUS. Stuff'd as full as full could be, With a face demure and mild, "But we'll be good, won't we, moder?" Where a tempting goblet stood, Lapping off the shining froth; Thrust him out into the street. Then how Benny's blue eyes kindled! He had busily been pouring With a generous look that shamed me, "Come back, Harney!" called he loudly, Bent on me and on the door. Then, as by some sudden impulse, Watch'd the flames go high and higher, "I will be a good girl, Benny," Said I, feeling the reproof; Laughter chased away the frown, In my dim, fire-lighted chamber, Lie the lashes, long and meek, Thankful tears- undefiled! HER THE SICK CHILD. The habitual affection which holds this family lovingly together is strikingly exemplified by the artist in the sick child's clinging as he does so closely to the father, thereby telling a tale of many a romp and rough game between the poor ailing infant and its robust parent. See the care with which he holds the little one, half afraid that now in sickness it could not sustain the rough contact with his coarse though loving and tender grasp? Look at the homely grace of the mother as with pious regard, wholly absorbed in the maternal task, she bends forward to catch some share of the reply to the man's inquiry of the progress toward health of the little patient! Her face is far from beautiful, but dignified with tenderness, made beautiful by love, and this is where the art of the painter has come into play in such a manner that we cannot fail to be interested even in the sordid details of the household, so many signs of which are scattered about, as the cracked lookingglass on the mantel-shelf, the basket, the dead hare, the cupboard, etc. By the dead hare, apparently just brought in by the father, we surmise that he is a gamekeeper or watcher on some gentleman's land. ERE is one of the few pictures which, although deriving no importance from size, or interest from high associations connected with the subject, has not only made a sensation in the world of English art, but, as the necessary consequence thereof, brought its painter at once into reputation as a man who has that in him which may develop a new phase of painting, much such another as Wilkie introduced with the "Blind Fiddler." Mr. Clark, however, resembling Wilkie in choosing domestic subjects for the exercise of his genius, differs from him immensely in choice of incident. The two pictures which have come under our notice by Mr. Clark, “The Dead Rabbit," | at the British Institution, and "The Sick Child," now before us, which was exhibited at the Royal Academy, are both somewhat distrait in feeling, although the dash of humor pervading them is of the genuine kind which moves our hearty sympathies; for who could refuse a smile of recognition to the intensity of the interesting of an infant's expression under such manifested by the boys over their dead pet in the former picture, or not be feelingly amused at the piteous dolor of the face of the "Sick Child?" While we smile at this, however, we shall enter deeply into the maternal tenderness of the action of the mother, who, although only stirring a basin of soup, has that dignity in our eyes which gathers around and ennobles one in the performance of a loving deed. In fact, homefeeling sanctifies the place; in that rough cottage interior, with all the coarse incidents of a laborer's life that have sprung up about this poor family, there is something holy and good that may well elevate it above many a loftier home. But the crowning interest of the picture is that most extraordinary rendering of emotion which the face of the child presents to us. This really is in itself one of the very remarkable works of the year in the way of art. The success which has rewarded Mr. Clark in this is highly merited by the thoroughly simple, honest, and conscientious manner in which he has set about so difficult a task as the render peculiar circumstances; for the reader The action and attitude of the child it, and the huddle-together of its little feet. The other child's calm indifference, being thoroughly wrapped up in delight with his father's pipe, is curiously and characteristically in contrast with the dolor of the little invalid, and its introduction a capital thought of the artist. ANAIK TIMOR, THE SORCERESS. HAVING to visit requier, I took a AVING occasion while staying at cross-road which I had traversed before, and which I calculated would bring me to my destination before evening. In this I found my memory had deceived me, for night overtook me before I had accomplished a third of my journey, and I became fearful of losing myself among the various by-paths, which in the darkness it was difficult to distinguish one from the other. To add to my embarrassment, the wind rose and the snow began to fall. I had just reached a sort of moor, covered with heath, over which the wind swept with a sullen roar, and which offered no shelter from its relentless fury. Enveloped in my fur-cloak, I bent my head to the storm, and continued to struggle along the uneven path. Turn what way I would, I could see nothing but a white moving cloud, which seemed to confound both heaven and earth. Momentarily, however, the storm would abate, and the wind sink so as to enable me to distinguish the murmur of a distant waterfall, or the plaintive howls of famished wolves: then, again, the blast would overtake me, groaning and moaning until all was lost in one great roar. I had at first a sort of proud enjoyment in battling with the whirlwinds, which tossed like the waves of the sea around me; but insensibly cold and fatigue lessened my ardor, and I began to look out anxiously for some shelter. By good fortune the path I had continued to follow now began to dip into a narrow gorge, where I was soon able to distinguish the outlines of several leafless trees; and as I proceeded, I seemed to leave the storm behind me. At last I arrived at the entrance of a narrow valley, where the noise of the storm, deadened by the surrounding mountains, reached me only as an echo; the snow also fell less heavily. I raised my head, glad to breathe freely once more. I knew by experience that the valley must contain habitations. A washingshed and a solitary oven soon confirmed me in this belief; and a few steps further I perceived a hamlet, composed of about a dozen cabins. The first which I approached was dark and empty; but, guided by the murmur of voices, I reached one standing by itself, and pushing open the door, found myself in the midst of a Breton filerie, (spinning party.) A dozen women, crouched upon their heels around a blazing fire of furze, were turning their spindles, chatting and singing the while. Several children lay at their feet asleep; and a young mother, seated in the most distant corner of the hearth, was suckling a newborn infant, murmuring in a low voice a cradle-song. On my entrance they all turned round; I had stopped at the threshold to shake off the snow with which I was covered, and now placed my stick near the door, in accordance with the custom of the country. The mistress of the house understood by this that I demanded shelter. "The blessing of God be upon all here,” said I, advancing to meet her. "And on you," she replied, with Armorican brevity. "A shroud covers the moor, and wolves themselves could not find their way." "Houses were made for Christians." Uttering these words the peasant-wo-' man motioned me to the hearth. All the spinners made way for me; and I took my seat by the young mother, while the mistress of the hut threw upon the fire an armfull of dry brambles. A long silence ensued, the laws of Breton hospitality forbidding the host to question a guest until he has himself spoken. At last I asked how far I was from Tréguier. "Three leagues and two thirds of another," answered the peasant-woman; "but the waters are out, and the road is dangerous without a guide." |