Criticisms and Dramatic Essays, of the English StageG. Routledge and Company, 1851 - 324 psl. |
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action actor actress admirable appearance applause audience beauty Beggar's Opera character Charles Kemble comedy comic Coriolanus Covent Garden criticism dance Desdemona dignity dramatic dress Drury Lane Drury Lane Theatre effect Elliston equal excellence expression fancy farce fault favourite feel Garrick genius give grace Hamlet heart human humour Iago imagination Ivanhoe Jack Bannister John Kemble Junius Brutus Booth Kean Kean's acting Kemble Kemble's lady laugh Lear living look Lord Macbeth Macready manager manner merit mind Miss O'Neill nature never Othello pantomime passages passion pathos perfect performance person piece play players poet racter Richard Richard II scene seemed seen sense sentiment Shakspeare shew Shylock Siddons Sir Giles Sir Giles Overreach soul speak speech spirit stage taste theatre thing thou thought tion tone tragedy tragic turned ventriloquism voice whole wish word write
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263 psl. - tis not so ; Who is it that can tell me who I am ? Lear's shadow ? I would learn ; for by the marks Of Sovereignty, of knowledge, and of reason, I should be false persuaded I had daughters. Your name, fair gentlewoman ?" These fearful interrogatories, which stand ready to start away on the brink of madness, should not certainly be asked like a common question, nor a dry sarcasm. If Mr. Kean did not speak them so, we beg his pardon. In what comes after this, in the apostrophe to Ingratitude,...
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179 psl. - He is, as it were, wrapped up in his reflections, and only thinks aloud. There should therefore be no attempt to impress what he says upon others by a studied exaggeration of emphasis or manner ; no talking at his hearers. There should be as much of the gentleman and scholar as possible infused into the part, and as little of the actor.