A Study of English Rhymeclass-room use, 1909 - 211 psl. |
Knygos viduje
Rezultatai 1–5 iš 29
27 psl.
... from Roman- esque literature . It retired into the background after England came under French influence . It was , again , for a short 1 Corpus Poeticum Boreale , I , 256 . ་ time , a nearly equal rival of the iambic rhymed ALLITERATION 27.
... from Roman- esque literature . It retired into the background after England came under French influence . It was , again , for a short 1 Corpus Poeticum Boreale , I , 256 . ་ time , a nearly equal rival of the iambic rhymed ALLITERATION 27.
28 psl.
Charles Francis Richardson. time , a nearly equal rival of the iambic rhymed couplet in the fourteenth century , but thenceforward declined , and had become a " whimsical curiosity " in Shakespeare's time . " I will some- thing affect ...
Charles Francis Richardson. time , a nearly equal rival of the iambic rhymed couplet in the fourteenth century , but thenceforward declined , and had become a " whimsical curiosity " in Shakespeare's time . " I will some- thing affect ...
45 psl.
... Iam surgit hora tertia . " He introduced the practice of singing choral hymns antiphonally arranged ( cantus Ambrosianus ) ; and wisely selected the metre least markedly metrical and most nearly rhythmical — the iambic dimeter in a ...
... Iam surgit hora tertia . " He introduced the practice of singing choral hymns antiphonally arranged ( cantus Ambrosianus ) ; and wisely selected the metre least markedly metrical and most nearly rhythmical — the iambic dimeter in a ...
54 psl.
... iambic pentameter , rhymed ababbcc . The triolet has eight lines , with two rhymes , abaaabab ; the first , fourth , and seventh lines being identical , and the second and eighth . It has all of the demerits and none of the merits of ...
... iambic pentameter , rhymed ababbcc . The triolet has eight lines , with two rhymes , abaaabab ; the first , fourth , and seventh lines being identical , and the second and eighth . It has all of the demerits and none of the merits of ...
77 psl.
... iambic English metres , when read aloud , sound merely like rhythmical prose , inferior to many parts of the Authorized Ver- sion of the Bible . The really good unrhymed English lyrics are few : Collins's Ode to Evening ; Lamb's The Old ...
... iambic English metres , when read aloud , sound merely like rhythmical prose , inferior to many parts of the Authorized Ver- sion of the Bible . The really good unrhymed English lyrics are few : Collins's Ode to Evening ; Lamb's The Old ...
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
accent alliteration alliterative alliterative verse Anglo-Saxon anti-rhymers appear assonance ballads beauty beginning Beowulf blank verse Cædmon caesura called century Chaucer classical consonants Dante Dryden's effect Elizabethan end-rhyme English poetry English rhyme English verse feminine rhymes freedom French German give Greek harmony hath heroic couplet hexameter history of English hymns iambic iambic pentameter Icelandic identical influence internal rhyme Italian Keats language Latin letter literature lyric masculine rhyme measure mediæval melodious metre modern natural never original Ormulum pentameter perfect rhyme pleasure Poe's poem poesy poetic poets pronunciation prose prosody Provençal Psalms Puttenham quantity reader refrain rhyme-words rhythm rhythmical romantic ryme Saintsbury says sense Shakespeare similar sing sometimes song sonnet sound Spanish speech Spenser stanza stress strophes sweet Swinburne Swinburne's syllables Tennyson's Teutonic thee thing thou thought tion tongue translation trochee unrhymed utterance vowels words write Wyatt
Populiarios ištraukos
155 psl. - Along thy glades, a solitary guest, The hollow-sounding bittern guards its nest; Amidst thy desert walks the lapwing flies, And tires their echoes with unvaried cries. Sunk are thy bowers in shapeless ruin all, And the long grass o'ertops the mouldering wall; And trembling, shrinking from the spoiler's hand, Far, far away, thy children leave the land.
83 psl. - ... rebel powers that thee array, Why dost thou pine within, and suffer dearth, Painting thy outward walls so costly gay ? Why so large cost, having so short a lease, Dost thou upon thy fading mansion spend ? Shall worms, inheritors of this excess, Eat up thy charge ? Is this thy body's end ? Then, soul, live thou upon thy servant's loss, And let that pine to aggravate thy store ; Buy terms divine in selling hours of dross ; Within be fed, without be rich no more : So shalt thou feed on Death, that...
82 psl. - CXLVI Poor soul, the centre of my sinful earth, .... these rebel powers that thee array, Why dost thou pine within and suffer dearth. Painting thy outward walls so costly gay? Why so large cost, having so short a lease, Dost thou upon thy fading mansion spend? Shall worms, inheritors of this excess, Eat up thy charge? Is this thy body's end? Then, soul, live thou upon thy servant's loss, And let that pine to aggravate thy store; Buy terms divine in selling hours of dross; Within be fed, without be...
2 psl. - FROM Harmony, from heavenly Harmony This universal frame began : When nature underneath a heap Of jarring atoms lay, And could not heave her head, The tuneful voice was heard from high, Arise, ye more than dead ! Then cold, and hot, and moist, and dry, In order to their stations leap, And Music's power obey.
192 psl. - Till the slow sea rise and the sheer cliff crumble, Till terrace and meadow the deep gulfs drink, Till the strength of the waves of the high tides humble The fields that lessen, the rocks that shrink, Here now in his triumph where all things falter, Stretched out on the spoils that his own hand spread, As a god self-slain on his own strange altar, Death lies dead.
161 psl. - Christabel is not, properly speaking, irregular, though it may seem so from its being founded on a new principle: namely, that of counting in each line the accents, not the syllables. Though the latter may vary from seven to twelve, yet in each line the accents will be found to be only four.
81 psl. - A GENTLE Knight was pricking on the plaine, Ycladd in mightie armes and silver shielde, Wherein old dints of deepe woundes did remaine, The cruell markes of many a bloody fielde ; Yet armes till that time did he never wield : His angry steede did chide his foming bitt, As much disdayning to the curbe to yield : Full jolly knight he seemd, and faire did sitt, As one for knightly giusts and fierce encounters fitt.
33 psl. - And in the midst of this wide quietness A rosy sanctuary will I dress With the wreath'd trellis of a working brain, With buds, and bells, and stars without a name, With all the gardener Fancy e'er could feign, Who breeding flowers, will never breed the same: And there shall be for thee all soft delight That shadowy thought can win, A bright torch, and a casement ope at night, To let the warm Love in!
2 psl. - From harmony, from heavenly harmony This universal frame began ; When Nature underneath a heap Of jarring atoms lay, And could not heave her head, The tuneful voice was heard from high, Arise, ye more than dead. Then cold and hot and moist and dry In order to their stations leap, And Music's power obey. From harmony, from heavenly harmony, This universal frame began : From harmony to harmony Through all the compass of the notes it ran, The diapason closing full in Man.
111 psl. - The turtle to her make hath told her tale. Summer is come, for every spray now springs: The hart hath hung his old head on the pale; The buck in brake his winter coat he flings; The fishes flete with new repaired scale.