A Study of English Rhymeclass-room use, 1909 - 211 psl. |
Knygos viduje
Rezultatai 1–5 iš 25
10 psl.
... feet of life ; The silky flutter of moth - wings Against my restraining palm ; The strident beat of insect - wings , The silvery trickle of water ; Little breezes busy in the summer grass ; The music of crisp , whisking , scurrying ...
... feet of life ; The silky flutter of moth - wings Against my restraining palm ; The strident beat of insect - wings , The silvery trickle of water ; Little breezes busy in the summer grass ; The music of crisp , whisking , scurrying ...
27 psl.
... feet or accents in each of the eight verses . Sometimes there is a strophe of six lines , the third and sixth alliterating inde- pendently , and the first , second , fourth , and fifth together . In the use of the scalds there was ...
... feet or accents in each of the eight verses . Sometimes there is a strophe of six lines , the third and sixth alliterating inde- pendently , and the first , second , fourth , and fifth together . In the use of the scalds there was ...
28 psl.
... often been alliterative . Poe thought that alliteration could be " made to infringe on the province of rhyme by the introduction of general similarities of sound between whole feet occurring in the body 28 A STUDY OF ENGLISH RHYME.
... often been alliterative . Poe thought that alliteration could be " made to infringe on the province of rhyme by the introduction of general similarities of sound between whole feet occurring in the body 28 A STUDY OF ENGLISH RHYME.
29 psl.
Charles Francis Richardson. similarities of sound between whole feet occurring in the body of a line . " He also perceived that the refrain was a kind of rhyme , al- literative or other . To some ears , however , alliteration is an ...
Charles Francis Richardson. similarities of sound between whole feet occurring in the body of a line . " He also perceived that the refrain was a kind of rhyme , al- literative or other . To some ears , however , alliteration is an ...
43 psl.
... feet , without accent . - Meanwhile the Greek homoioteleuton , the Latin similiter de- sinens , the " finissant de mesme " of Fauchet - " quelque fois plaisante et receuë en prose oration , " more and more affected all kinds of ...
... feet , without accent . - Meanwhile the Greek homoioteleuton , the Latin similiter de- sinens , the " finissant de mesme " of Fauchet - " quelque fois plaisante et receuë en prose oration , " more and more affected all kinds of ...
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
accent alliteration alliterative alliterative verse Anglo-Saxon anti-rhymers appear assonance ballads beauty beginning Beowulf blank verse Cædmon caesura called century Chaucer classical consonants Dante Dryden's effect Elizabethan end-rhyme English poetry English rhyme English verse feminine rhymes freedom French German give Greek harmony hath heroic couplet hexameter history of English hymns iambic iambic pentameter Icelandic identical influence internal rhyme Italian Keats language Latin letter literature lyric masculine rhyme measure mediæval melodious metre modern natural never original Ormulum pentameter perfect rhyme pleasure Poe's poem poesy poetic poets pronunciation prose prosody Provençal Psalms Puttenham quantity reader refrain rhyme-words rhythm rhythmical romantic ryme Saintsbury says sense Shakespeare similar sing sometimes song sonnet sound Spanish speech Spenser stanza stress strophes sweet Swinburne Swinburne's syllables Tennyson's Teutonic thee thing thou thought tion tongue translation trochee unrhymed utterance vowels words write Wyatt
Populiarios ištraukos
155 psl. - Along thy glades, a solitary guest, The hollow-sounding bittern guards its nest; Amidst thy desert walks the lapwing flies, And tires their echoes with unvaried cries. Sunk are thy bowers in shapeless ruin all, And the long grass o'ertops the mouldering wall; And trembling, shrinking from the spoiler's hand, Far, far away, thy children leave the land.
83 psl. - ... rebel powers that thee array, Why dost thou pine within, and suffer dearth, Painting thy outward walls so costly gay ? Why so large cost, having so short a lease, Dost thou upon thy fading mansion spend ? Shall worms, inheritors of this excess, Eat up thy charge ? Is this thy body's end ? Then, soul, live thou upon thy servant's loss, And let that pine to aggravate thy store ; Buy terms divine in selling hours of dross ; Within be fed, without be rich no more : So shalt thou feed on Death, that...
82 psl. - CXLVI Poor soul, the centre of my sinful earth, .... these rebel powers that thee array, Why dost thou pine within and suffer dearth. Painting thy outward walls so costly gay? Why so large cost, having so short a lease, Dost thou upon thy fading mansion spend? Shall worms, inheritors of this excess, Eat up thy charge? Is this thy body's end? Then, soul, live thou upon thy servant's loss, And let that pine to aggravate thy store; Buy terms divine in selling hours of dross; Within be fed, without be...
2 psl. - FROM Harmony, from heavenly Harmony This universal frame began : When nature underneath a heap Of jarring atoms lay, And could not heave her head, The tuneful voice was heard from high, Arise, ye more than dead ! Then cold, and hot, and moist, and dry, In order to their stations leap, And Music's power obey.
192 psl. - Till the slow sea rise and the sheer cliff crumble, Till terrace and meadow the deep gulfs drink, Till the strength of the waves of the high tides humble The fields that lessen, the rocks that shrink, Here now in his triumph where all things falter, Stretched out on the spoils that his own hand spread, As a god self-slain on his own strange altar, Death lies dead.
161 psl. - Christabel is not, properly speaking, irregular, though it may seem so from its being founded on a new principle: namely, that of counting in each line the accents, not the syllables. Though the latter may vary from seven to twelve, yet in each line the accents will be found to be only four.
81 psl. - A GENTLE Knight was pricking on the plaine, Ycladd in mightie armes and silver shielde, Wherein old dints of deepe woundes did remaine, The cruell markes of many a bloody fielde ; Yet armes till that time did he never wield : His angry steede did chide his foming bitt, As much disdayning to the curbe to yield : Full jolly knight he seemd, and faire did sitt, As one for knightly giusts and fierce encounters fitt.
33 psl. - And in the midst of this wide quietness A rosy sanctuary will I dress With the wreath'd trellis of a working brain, With buds, and bells, and stars without a name, With all the gardener Fancy e'er could feign, Who breeding flowers, will never breed the same: And there shall be for thee all soft delight That shadowy thought can win, A bright torch, and a casement ope at night, To let the warm Love in!
2 psl. - From harmony, from heavenly harmony This universal frame began ; When Nature underneath a heap Of jarring atoms lay, And could not heave her head, The tuneful voice was heard from high, Arise, ye more than dead. Then cold and hot and moist and dry In order to their stations leap, And Music's power obey. From harmony, from heavenly harmony, This universal frame began : From harmony to harmony Through all the compass of the notes it ran, The diapason closing full in Man.
111 psl. - The turtle to her make hath told her tale. Summer is come, for every spray now springs: The hart hath hung his old head on the pale; The buck in brake his winter coat he flings; The fishes flete with new repaired scale.