GiottoS. Low, Marston, Searle, & Rivington, 1880 - 146 psl. |
Kiti leidimai - Peržiūrėti viską
Giotto. - London, Sampson Low, Marsson, Searle and Rivington 1880 Harry Quilter Visos knygos peržiūra - 1880 |
Pagrindiniai terminai ir frazės
action altar Andrea Pisano angels arches architecture Arena Chapel arrangement artist attributed to Giotto Author authorship bas-reliefs beauty beneath building Byzantine Byzantine art Campanile centre century choir Christ Christian Church at Assisi Cimabue colour comparatively composition Crowe and Cavalcaselle Dante decoration difference drapery early Engravings Enrico Scrovegni executed expression face fact feeling figures Florence Francis frescoes Gaddi Giottesque Giunta Pisano grace Greek hand Hertford College History of Painting Illustrations imitation influence Italian Italy later less light lives Lord Lindsay Lower Church Madonna manner marble master mosaic nature Niccola Pisano noticed Padua painter painting perhaps picture Pisa Pisano portion pre-Raphaelite pupils representing restoration rich Rome row of frescoes Ruskin saints Santa Croce scene Scrovegni Scrovegni Chapel sculpture secco seems seen shade side stands story style things tints tion tower tradition transept Upper Church Vasari Virgin walls whole
Populiarios ištraukos
68 psl. - These temples grew as grows the grass; Art might obey, but not surpass. The passive Master lent his hand To the vast soul that o'er him planned ; And the same power that reared the shrine Bestrode the tribes that knelt within.
53 psl. - Paint us an angel, if you can, with a floating violet robe, and a face paled by the celestial light; paint us yet oftener a Madonna, turning her mild face upward and opening her arms to welcome the divine glory...
42 psl. - ... tufted irregularly with ilex and olive ; a scene not sublime, for its forms are subdued and low ; not desolate, for its valleys are full of sown fields and tended pastures ; not rich nor lovely, but sunburnt and sorrowful...
36 psl. - ... old painters, that whilst Cimabue was painting this picture in a garden near the gate of San Pietro, King Charles the Elder, of Anjou, passed through Florence, and the authorities of the city, among other marks of respect, conducted him to see the picture of Cimabue. When this work was...
59 psl. - The first pictures of Giotto were painted for the chapel of the High Altar, in the Abbey of Florence, where he executed many works considered extremely fine.-)- Among these, an Annunciation is particularly admired ; the expression of fear and astonishment in the countenance of the Virgin, when receiving the salutation of Gabriel, is vividly depicted ; she appears to suffer the extremity of terror, and seems almost ready to take flight.
37 psl. - Know that you cannot learn to paint in less time than that which I shall name to you. In the first place, you must study drawing for at least one year ; then you must remain with a master at the workshop for the space of six years at least, that you may learn all the parts and members of the art — to grind colours, to boil down glues, to grind plaster...
53 psl. - Madonna, turning her mild face upward and opening her arms to welcome the divine glory; but do not impose on us any aesthetic rules which shall banish from the region of Art those old women scraping carrots with their work-worn hands, those heavy clowns taking holiday in a dingy pot-house, those rounded backs and stupid weather-beaten faces that have bent over the spade and done the rough work of the world those homes with their tin pans, their brown pitchers, their rough curs, and their clusters...
112 psl. - These characteristics occur more or less in different buildings, some in one and some in another. But all together, and all in their highest possible relative degrees, they exist, as far as I know, only in one building in the world, the Campanile of Giotto at Florence.
80 psl. - ... the greetings of innocence and love wheresoever the breeze may waft us. There is in truth a holy purity, an innocent naivete, a child-like grace and simplicity, a freshness, a fearlessness, an utter freedom from affectation, a yearning after all things truthful, lovely and of good report...