Coleridge and the Uses of DivisionClarendon Press, 1999 - 303 psl. Coleridge was a visionary drawn to the numinous, but he was also a spontaneous connoisseur of the sensory life. Such double-mindedness has often been criticized as a sort of incapacity; but the capability of entertaining equally necessary kinds of perception might be thought a kind of virtue. The study examines Coleridge's formative double-vision as it manifests itself in his profound self-analysis, his philosophy of mind, and his literary criticism. |
Turinys
COLERIDGE AND DIVISION | 7 |
COLERIDGES VISIONS | 35 |
THE MIND | 102 |
THE ETHICS OF IMAGINING | 155 |
MILTON | 209 |
Resolution and Independence | 274 |
The Incomprehensible Mariner | 281 |
| 293 | |
Pagrindiniai terminai ir frazės
Æolian aesthetic autonomous beauty Berkeley Biographia character claim Coleridge Coleridge's Coleridgean division conception consciousness criticism deity delight describes distinction diversitarian diversity divine dream egotism Empson Eolian epistemology Essays existence experience external feel Fragments Friend genius Geoffrey Grigson Harp Hazlitt human ideal idealist ideas imagination implies instinctive John Beer Kant Kantian Khan kind Kubla Kubla Khan language Lectures Letters literary Logic Lyrical Ballads M. H. Abrams Marginalia Mariner material McFarland means metaphor Milton mind mind's moral muddle nature Notebooks objects Oxford Paradise Lost particular perception philosophical Platonic plurality poem poet poetic poetry praise Preface prose quoted realism reality repr Romantic Romanticism Samuel Taylor Coleridge Schelling sense sensibility Shakespeare Shakespearian soul Southey spirit sublime T. S. Eliot theology theory things thought tion truth TTalk unifying unity vision visionary vols whole William Empson William Wordsworth Wordsworth Wordsworthian writes