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Biographia Literaria; Or, Biographical Sketches of My Literary Life ..., 2 tomas
Samuel Taylor Coleridge
Visos knygos peržiūra - 1848
Biographia Literaria; Or Biographical Sketches of My Literary Life ..., 2 tomas
Samuel Taylor Coleridge
Visos knygos peržiūra - 1817
admiration appeared beautiful become believe called cause character child Coleridge common continued criticism dear edition effect English equally excellence excitement expression eyes Father feelings former genius German give given greater ground hand heart human images imagination instance interest kind language least less letter light lines live look manner mean metre Milton mind moral morning Mother nature never object observed once original particular passage passed passion perhaps person picture play pleasure poem poet poetic poetry present principles produced prose published reader reason received refer respect returned says seems sense speak spirit stanzas style things thou thought tion true truth verse volume whole wish Wordsworth writings written wrote
451 psl. - ... reveals itself in the balance or reconciliation of opposite or discordant qualities: of sameness, with difference; of the general, with the concrete; the idea, with the image; the individual, with the representative; the sense of novelty and freshness, with old and familiar objects; a more than usual state of emotion, with more than usual order...
495 psl. - Phoebus lifts his golden fire: The birds in vain their amorous descant join, Or cheerful fields resume their green attire. These ears, alas! for other notes repine; A different object do these eyes require; My lonely anguish melts no heart but mine; And in my breast the imperfect joys expire; Yet morning smiles the busy race to cheer, And new-born pleasure brings to happier men; The fields to all their wonted tribute bear; To warm their little loves the birds complain. I fruitless mourn to him that...
524 psl. - The dew shall weep thy fall to-night ; For thou must die. Sweet Rose, whose hue, angry and brave, Bids the rash gazer wipe his eye, Thy root is ever in its grave, And thou must die. Sweet Spring, full of sweet days and roses, A box where sweets compacted lie, My music shows ye have your closes, And all must die.
441 psl. - I were neighbours, our conversations turned frequently on the two cardinal points of poetry, the power of exciting the sympathy of the reader by a faithful adherence to the truth of nature, and the power of giving the interest of novelty by the modifying colours of imagination.
481 psl. - Humble and rustic life was generally chosen because in that condition the essential passions of the heart find a better soil in which they can attain their maturity, are less under restraint, and speak a plainer and more emphatic language...
504 psl. - In vain to me the smiling mornings shine, And reddening Phoebus lifts his golden fire: The birds in vain their amorous descant join, Or cheerful fields resume their green attire: These ears alas! for other notes repine; A different object do these eyes require; My lonely anguish melts no heart but mine; And in my breast the imperfect joys expire...
587 psl. - Delight and liberty, the simple creed Of Childhood, whether busy or at rest, With new-fledged hope still fluttering in his breast: Not for these I raise The song of thanks and praise...
441 psl. - In the one, the incidents and agents were to be, in part at least, supernatural ; and the excellence aimed at was to consist in the interesting of the affections by the dramatic truth of such emotions, as would naturally accompany such situations, supposing them real.
560 psl. - I thought of Chatterton, the marvellous Boy, The sleepless Soul that perished in his pride; Of Him who walked in glory and in joy Following his plough, along the mountain-side: By our own spirits are we deified : We Poets in our youth begin in gladness; But thereof come in the end despondency and madness.