Spires of Form: A Study of Emerson's Aesthetic Theory. Cambridge, Harvard University Press, 1951University of Michigan., 1962 - 276 psl. |
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36 psl.
... represents Emerson's first answer to the question of how the creative in- sight actually penetrates nature . From the specific objects in which the poet has been absorbed , he derives substance ; from the driving spirit behind the ...
... represents Emerson's first answer to the question of how the creative in- sight actually penetrates nature . From the specific objects in which the poet has been absorbed , he derives substance ; from the driving spirit behind the ...
52 psl.
... represents the extension to an extreme point , of Emerson's theory of imagination : that the artist forms intui- tions by " perceiving " the spirit in nature's forms , and inter- fusing his own spirit with that discovered in nature ...
... represents the extension to an extreme point , of Emerson's theory of imagination : that the artist forms intui- tions by " perceiving " the spirit in nature's forms , and inter- fusing his own spirit with that discovered in nature ...
134 psl.
... represents , rather , the essence of the poet's vision , which gains rather than loses by being stripped of its material vesture . Based in Plotinian philosophy , enriched by such scientific conceptions as the theory of progressive ...
... represents , rather , the essence of the poet's vision , which gains rather than loses by being stripped of its material vesture . Based in Plotinian philosophy , enriched by such scientific conceptions as the theory of progressive ...
Turinys
INTRODUCTION | 1 |
FORM IN LITERATURE | 105 |
The Aesthetic Experience | 147 |
Autorių teisės | |
Nerodoma skirsnių: 6
Kiti leidimai - Peržiūrėti viską
Spires of Form– A Study of Emerson's Aesthetic Theory Vivian Constance Hopkins Trumpų ištraukų rodinys - 1951 |
Spires of Form– A Study of Emerson's Aesthetic Theory Vivian Constance Hopkins Trumpų ištraukų rodinys - 1951 |
Spires of Form– A Study of Emerson's Aesthetic Theory Vivian Constance Hopkins Trumpų ištraukų rodinys - 1951 |
Pagrindiniai terminai ir frazės
active admiration aesthetic experience American analysis appears appreciation architecture artist asserts awareness beauty becomes body called closely compares complete concept concerning considered creation creative creative artist criticism definition derived difference Divine dreams effect element eloquence Emerson says Emerson's theory emphasis English enjoy enjoyment essay example exists expression fact feeling finds flowing gives Greek hand human idea ideal imagination importance impression indicates inspiration intellect interest interpretation intuition Italy journal lecture less light literature London look man's material matter means memory mind moral mystical nature never notes objects observer observer's organic form original painting passage perception pleasure poem poet poetry principle reaction reading receptive recognizes relation represents sculpture seems seen sense shows similar soul speaks spirit statement sublime symbol takes things thinks thought tion true turn understanding universe whole writes