Spires of Form: A Study of Emerson's Aesthetic Theory. Cambridge, Harvard University Press, 1951University of Michigan., 1962 - 276 psl. |
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... example , Emerson speaks of the poet's " boundless power and freedom to say a million things . " Here there is a tendency to emphasize the power rather than the objective expression . Of Stewart Newton's sketches ( drawn , one must ...
... example , Emerson speaks of the poet's " boundless power and freedom to say a million things . " Here there is a tendency to emphasize the power rather than the objective expression . Of Stewart Newton's sketches ( drawn , one must ...
135 psl.
... example , though somewhat lib- erated from neoclassic theory , was based chiefly on the prin- ciple of association . Without denying the validity of associa- tion as a description of some mental operations , Emerson sought the secret of ...
... example , though somewhat lib- erated from neoclassic theory , was based chiefly on the prin- ciple of association . Without denying the validity of associa- tion as a description of some mental operations , Emerson sought the secret of ...
234 psl.
... example , his statements in Ms. J.B , 1835 : " I should be glad of a Catalogue of Ideas ; Objects of the Reason , as Conceptions are objects of the Understanding . Mr. Coleridge names a Point , a Line , a Circle , as Ideas in ...
... example , his statements in Ms. J.B , 1835 : " I should be glad of a Catalogue of Ideas ; Objects of the Reason , as Conceptions are objects of the Understanding . Mr. Coleridge names a Point , a Line , a Circle , as Ideas in ...
Turinys
INTRODUCTION | 1 |
FORM IN LITERATURE | 105 |
The Aesthetic Experience | 147 |
Autorių teisės | |
Nerodoma skirsnių: 6
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Spires of Form A Study of Emerson's Aesthetic Theory Vivian Constance Hopkins Trumpų ištraukų rodinys - 1951 |
Spires of Form A Study of Emerson's Aesthetic Theory Vivian Constance Hopkins Trumpų ištraukų rodinys - 1951 |
Spires of Form A Study of Emerson's Aesthetic Theory Vivian Constance Hopkins Trumpų ištraukų rodinys - 1951 |
Pagrindiniai terminai ir frazės
active admiration aesthetic experience American analysis appears appreciation architecture artist asserts awareness beauty becomes body called closely compares complete concept concerning considered creation creative creative artist criticism definition derived difference Divine dreams effect element eloquence Emerson says Emerson's theory emphasis English enjoy enjoyment essay example exists expression fact feeling finds flowing gives Greek hand human idea ideal imagination importance impression indicates inspiration intellect interest interpretation intuition Italy journal lecture less light literature London look man's material matter means memory mind moral mystical nature never notes objects observer observer's organic form original painting passage perception pleasure poem poet poetry principle reaction reading receptive recognizes relation represents sculpture seems seen sense shows similar soul speaks spirit statement sublime symbol takes things thinks thought tion true turn understanding universe whole writes