Spires of Form: A Study of Emerson's Aesthetic Theory. Cambridge, Harvard University Press, 1951University of Michigan., 1962 - 276 psl. |
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Rezultatai 1–3 iš 19
32 psl.
... derived the distinction between fancy and imagination from Coleridge , this differentiation was never central in his thought , and decreased in importance for him after 1836. A more useful element absorbed from Coleridge was the concept ...
... derived the distinction between fancy and imagination from Coleridge , this differentiation was never central in his thought , and decreased in importance for him after 1836. A more useful element absorbed from Coleridge was the concept ...
58 psl.
... derive from spirit , and that the science of art can progress only by connection with the gen- eral spiritual life of ... derived from sense perception and passions , while Emerson's spirit is that of the Divine , or of its extension in ...
... derive from spirit , and that the science of art can progress only by connection with the gen- eral spiritual life of ... derived from sense perception and passions , while Emerson's spirit is that of the Divine , or of its extension in ...
180 psl.
... derived largely from dreams , during which he gets the " feel " of the creative consciousness , at the same time that he remains an observer . By sharing in these two natures at the same time , he can better appreciate the two - ness ...
... derived largely from dreams , during which he gets the " feel " of the creative consciousness , at the same time that he remains an observer . By sharing in these two natures at the same time , he can better appreciate the two - ness ...
Turinys
INTRODUCTION | 1 |
FORM IN LITERATURE | 105 |
The Aesthetic Experience | 147 |
Autorių teisės | |
Nerodoma skirsnių: 6
Kiti leidimai - Peržiūrėti viską
Spires of Form– A Study of Emerson's Aesthetic Theory Vivian Constance Hopkins Trumpų ištraukų rodinys - 1951 |
Spires of Form– A Study of Emerson's Aesthetic Theory Vivian Constance Hopkins Trumpų ištraukų rodinys - 1951 |
Spires of Form– A Study of Emerson's Aesthetic Theory Vivian Constance Hopkins Trumpų ištraukų rodinys - 1951 |
Pagrindiniai terminai ir frazės
active admiration aesthetic experience American analysis appears appreciation architecture artist asserts awareness beauty becomes body called closely compares complete concept concerning considered creation creative creative artist criticism definition derived difference Divine dreams effect element eloquence Emerson says Emerson's theory emphasis English enjoy enjoyment essay example exists expression fact feeling finds flowing gives Greek hand human idea ideal imagination importance impression indicates inspiration intellect interest interpretation intuition Italy journal lecture less light literature London look man's material matter means memory mind moral mystical nature never notes objects observer observer's organic form original painting passage perception pleasure poem poet poetry principle reaction reading receptive recognizes relation represents sculpture seems seen sense shows similar soul speaks spirit statement sublime symbol takes things thinks thought tion true turn understanding universe whole writes