Spires of Form: A Study of Emerson's Aesthetic Theory. Cambridge, Harvard University Press, 1951University of Michigan., 1962 - 276 psl. |
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Rezultatai 1–3 iš 86
147 psl.
... CREATIVE ARTIST With its effect upon the receptive mind , the creative process , begun by the artist through influx of the Divine Spirit , and objectified in the finished work of art , now comes full circle . Emerson's theory of response to ...
... CREATIVE ARTIST With its effect upon the receptive mind , the creative process , begun by the artist through influx of the Divine Spirit , and objectified in the finished work of art , now comes full circle . Emerson's theory of response to ...
149 psl.
... art far sep- arated from it in time does not show a special providential act ... creative , provides the rationale for his power to bring the creative vision ... artist and observer involves the whole question , much discussed by German ...
... art far sep- arated from it in time does not show a special providential act ... creative , provides the rationale for his power to bring the creative vision ... artist and observer involves the whole question , much discussed by German ...
198 psl.
... creative experience , consists in the fusion of the observer's soul with that of the Divine . As with the creative artist , ecstasy comes to the observer through subordination of the will ; it is characterized by brief moments of vivid ...
... creative experience , consists in the fusion of the observer's soul with that of the Divine . As with the creative artist , ecstasy comes to the observer through subordination of the will ; it is characterized by brief moments of vivid ...
Turinys
INTRODUCTION | 1 |
FORM IN LITERATURE | 105 |
The Aesthetic Experience | 147 |
Autorių teisės | |
Nerodoma skirsnių: 6
Kiti leidimai - Peržiūrėti viską
Spires of Form– A Study of Emerson's Aesthetic Theory Vivian Constance Hopkins Trumpų ištraukų rodinys - 1951 |
Spires of Form– A Study of Emerson's Aesthetic Theory Vivian Constance Hopkins Trumpų ištraukų rodinys - 1951 |
Spires of Form– A Study of Emerson's Aesthetic Theory Vivian Constance Hopkins Trumpų ištraukų rodinys - 1951 |
Pagrindiniai terminai ir frazės
active admiration aesthetic experience American analysis appears appreciation architecture artist asserts awareness beauty becomes body called closely compares complete concept concerning considered creation creative creative artist criticism definition derived difference Divine dreams effect element eloquence Emerson says Emerson's theory emphasis English enjoy enjoyment essay example exists expression fact feeling finds flowing gives Greek hand human idea ideal imagination importance impression indicates inspiration intellect interest interpretation intuition Italy journal lecture less light literature London look man's material matter means memory mind moral mystical nature never notes objects observer observer's organic form original painting passage perception pleasure poem poet poetry principle reaction reading receptive recognizes relation represents sculpture seems seen sense shows similar soul speaks spirit statement sublime symbol takes things thinks thought tion true turn understanding universe whole writes