THE CARVER AND THE CALIPH
Save when some Jew with look askant,
Or keen-eyed Greek from the Levant,
Would pause awhile,-depreciate,—
Then buy a month's work by the weight,
Bearing it swiftly over seas
To garnish rich men's treasuries.
And now for long none bought at all,
So lay he sullen in his stall.
Him thus withdrawn the Caliph found,
And smote his staff upon the ground-
"Ho, there, within? Hast wares to sell?
Or slumber'st, having dined too well?"
"Dined,'" quoth the man, with angry eyes,
"How should I dine when no one buys?"
"Nay," said the other, answering low,—
"Nay, I but jested. Is it so?
Take then this coin, . . . but take beside
A counsel, friend, thou hast not tried.
This craft of thine, the mart to suit,
Is too refined,-remote,-minute;
These small conceptions can but fail;
"Twere best to work on larger scale,
And rather choose such themes as wear
More of the earth and less of air:
The fisherman that hauls his net,-
The merchants in the market set,—
The couriers posting in the street,-
The gossips as they pass and greet,—
These these are clear to all men's eyes,
Therefore with these they sympathize.
Further (neglect not this advice!)
Be sure to ask three times the price."
The Carver sadly shook his head;
He knew 'twas truth the Caliph said.
From that day forth his work was planned
So that the world might understand.
He carved it deeper, and more plain;
He carved it thrice as large again;
He sold it, too, for thrice the cost;
-Ah, but the Artist that was lost!
TO AN UNKNOWN BUST IN THE
HO were you once? Could we but guess,
We might perchance more boldly
Define the patient weariness
That sets your lips so coldly;
You"lived," we know, for blame and fame;
But sure, to friend or foeman,
You bore some more distinctive name
Than mere "B. C.," and "Roman "?
Your pedestal should help us much.
Thereon your acts, your title,
(Secure from cold Oblivion's touch!)
Had doubtless due recital;
Vain hope!—not even deeds can last!
That stone, of which you're minus,
Maybe with all your virtues past
Endows . . . a TIGELLINUS!
We seek it not; we should not find.
But still, it needs no magic
To tell you wore, like most mankind,
Your comic mask and tragic;
And held that things were false and true,
Felt angry or forgiving,
As step by step you stumbled through
This life-long task . . . of living!
You tried the cul-de-sac of Thought;
The montagne Russe of Pleasure;
You found the best Ambition brought
Was strangely short of measure;
You watched, at last, the fleet days fly,
Till-drowsier and colder-
You felt MERCURIUS loitering by
To touch you on the shoulder.
'Twas then (why not?) the whim would come That howso Time should garble
Those deeds of yours when you were dumb, At least you'd live-in Marble;
You smiled to think that after days,
At least, in Bust or Statue,
(We all have sick-bed dreams!) would gaze, Not quite incurious, at you.
We gaze; we pity you, be sure !
In truth, Death's worst inaction
Must be less tedious to endure
Than nameless petrifaction;
Far better, in some nook unknown,
To sleep for once-and soundly-
Than still survive in wistful stone,
Forgotten more profoundly!
"Now the Graces are four and the Venuses tro,
And ten is the number of Muses;
For a Muse and a Grace and a Venus are you,-
My dear little Molly Trefusis!"
So he wrote, the old bard of an "old Magazine”:
As a study it not without use is,
If we wonder a moment who she may have been, This same "little Molly Trefusis!"
She was Cornish. We know that at once by the "Tre";
Then of guessing it scarce an abuse is
If we say that where Bude bellows back to the sea Was the birthplace of Molly Trefusis.
And she lived in the era of patches and bows,
Not knowing what rouge or ceruse is ;
For they needed (I trust) but her natural rose,
The lilies of Molly Trefusis.
And I somehow connect her (I frankly admit
That the evidence hard to produce is)
With BATH in its hey-day of Fashion and Wit,—
This dangerous Molly Trefusis.
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