Puslapio vaizdai
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I answer you.

As feeling men

Behave, in best romances, when
You outrage their affection ;-
With that gesticulatory woe,
By which, as melodramas show,
Despair is indicated;
Enforced by all the liquid grief
Which hugest pocket-handkerchief
Has ever simulated;

And when, arrived so far, you say

In tragic accents " Go,"

Then, Lydia, then . . . I still shall stay, And firmly answer-No.

A GAGE D'AMOUR

A GAGE D'AMOUR

(HORACE, III. 8)

"Martiis cælebs quid agam Kalendis
miraris?"

CHARLES,-for it seems you wish to

You wonder what could scare me so,
And why, in this long-locked bureau,
With trembling fingers,-

With tragic air, I now replace

This ancient web of yellow lace,

Among whose faded folds the trace
Of perfume lingers.

Friend of my youth, severe as true,
I guess the train your thoughts pursue;
But this my state is nowise due

To indigestion;

I had forgotten it was there,

A scarf that Some-one used to wear.

Hinc illa lacrima,-so spare

Your cynic question.

Some-one who is not girlish now,
And wed long since. We meet and bow;
I don't suppose our broken vow

Affects us keenly;

Yet, trifling though my act appears,

Your Sternes would make it ground for tears;—

One can't disturb the dust of years,

And smile serenely.

"My golden locks" are gray and chill, For hers, let them be sacred still;

But yet, I own, a boyish thrill

Went dancing through me,

Charles, when I held yon yellow lace;
For, from its dusty hiding-place,
Peeped out an arch, ingenuous face
That beckoned to me.

We shut our heart up, nowadays,
Like some old music-box that plays
Unfashionable airs that raise

Derisive pity;

Alas, a nothing starts the spring;
And lo, the sentimental thing
At once commences quavering
Its lover's ditty.

Laugh, if you like. The boy in me,--
The boy that was,-revived to see

The fresh young smile that shone when she,
Of old, was tender.

A GAGE D'AMOUR

Once more we trod the Golden Way,-
That mother you saw yesterday,—
And I, whom none can well portray,
As young, or slender.

She twirled the flimsy scarf about
Her pretty head, and stepping out
Slipped arm in mine, with half a pout
Of childish pleasure.

Where we were bound no mortal knows,
For then you plunged in Ireland's woes,
And brought me blankly back to prose
And Gladstone's measure.

Well, well, the wisest bend to Fate.
My brown old books around me wait,
My pipe still holds, unconfiscate,

Its wonted station.

Pass me the wine. To Those that keep The bachelor's secluded sleep

Peaceful, inviolate, and deep,

[blocks in formation]

IT

CUPID'S ALLEY

A MORALITY

O, Love's but a dance,

Where Time plays the fiddle!

See the couples advance,—

O, Love's but a dance!

A whisper, a glance,

-

"Shall rve twirl down the middle?"

0, Love's but a dance,

Where Time plays the fiddle!

T runs (so saith my Chronicler)
Across a smoky City ;-

A Babel filled with buzz and whirr,
Huge, gloomy, black and gritty;
Dark-louring looks the hill-side near,
Dark-yawning looks the valley,-
But here 'tis always fresh and clear,
For here is "Cupid's Alley."

And, from an Arbour cool and green,
With aspect down the middle,
An ancient Fiddler, gray and lean,
Scrapes on an ancient fiddle;
Alert he seems, but aged enow
To punt the Stygian galley ;–
With wisp of forelock on his brow,
He plays-in "Cupid's Alley."

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