The Motivated Sign: Iconicity in Language and Literature 2Olga Fischer, Max Nänny John Benjamins Publishing, 2001-01-01 - 387 psl. This volume, a sequel to Form Miming Meaning (1999), offers a selection of papers given at the second international symposium on iconicity (Amsterdam 1999). In the light of semiotic, linguistic and literary theory the studies gathered here investigate how iconicity works on all levels of language, in literary texts and other forms of verbal discourse. They investigate, among other subjects, the semiotic foundations of iconicity, the role played by iconicity in language evolution and in the way words are positioned syntactically. Special consideration is given to the iconic nature of metaphor and the 'mise en abyme', to iconically motivated punctuation and other typographic matters such as the manipulation of colour, fonts and spacing in advertising and in poetry. Other studies show how iconicity influences Shakespeare's rhetoric, the structural design of Margaret Atwood's writings and the changing fashions in fictional landscape description. Thus, these analyses of 'the motivated sign' represent yet another strong challenge to Saussure's dogma of arbitrariness (Jakobson). |
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Turinys
PART I | 4 |
PART III | 7 |
Semiotic foundations of iconicity in language and literature | 17 |
The semiotics of the miseenabyme 29 | 29 |
Icons anaphors and the evolution of language | 55 |
The iconicity of English gl words | 69 |
The case of the cucurbits | 89 |
Iconicity | 109 |
Iconoclasm and iconicity in seventeenthcentury English poetry | 211 |
The English S and OFgenitives | 229 |
The position of the adjective in Old English from an iconic | 249 |
Present participles as iconic expressions | 277 |
A note on the iconic force of rhetorical figures | 305 |
The emergence of experiential iconicity and spatial perspective | 323 |
Iconic dimensions in Margaret Atwoods poetry and prose | 351 |
367 | |
Ellipsis marks in a historical perspective | 135 |
Iconic functions of long and short lines | 157 |
Motive and method in miming the | 189 |
Kiti leidimai - Peržiūrėti viską
The Motivated Sign– Iconicity in Language and Literature 2 Olga Fischer,Max Nänny Peržiūra negalima - 2001 |
Pagrindiniai terminai ir frazės
adjective advertising anaphors arbitrary Atwood Binding Principles chiasmus clause cognitive context contrast cucumber cucurbits Dällenbach denoting device diagrammatic iconicity ellipsis ellipsis marks embedding emotion endophoric iconicity Event Model example exophoric expressed fact fiction Figure Fischer Form Miming Meaning function human hyperbaton iconic sign iconicity in language imitation indices instance interpretant Jakobson light linear linguistic signs literary London long line melon metaphors Middle English mirror mise en abyme Modern English Music of Chance Nänny narrative nature Nöth noun novel Nuer object Old English onomatopoeic Oxford Peirce Peirce's perception perspective phonetic phrase poem poet poetic poetry position postnominal predicative prenominal present participle pumpkin reader reference referential reflects relationship repetition rhetorical Robber Bride Roman Jakobson S-genitive semantic semiosis semiotic sense sentence sequence similar sound sound-symbolic structure suggests symbolic syntactic syntax temporal University Press verb verbal visual visual perception vowels Willie's words