Elements of CriticismMason Bothers, 1860 - 504 psl. |
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16 psl.
... rule , why should they be imitated ? If they studied nature , and were obsequious to rational principles , why should these be concealed from us ? It With respect to the present undertaking , it is not the author's intention to compose ...
... rule , why should they be imitated ? If they studied nature , and were obsequious to rational principles , why should these be concealed from us ? It With respect to the present undertaking , it is not the author's intention to compose ...
23 psl.
... rules of criticism from human nature , their true source . We have but a single choice , which is , to continue a little longer in the same train , or to abandon the undertaking altogether . Candor obliges me to intimate this to my ...
... rules of criticism from human nature , their true source . We have but a single choice , which is , to continue a little longer in the same train , or to abandon the undertaking altogether . Candor obliges me to intimate this to my ...
26 psl.
... rule , has nothing left but to abandon himself to chance . Destitute of that branch of knowledge , in vain will either pretend to foretell what effect his work will have upon the heart . The principles of the fine arts , appear , in ...
... rule , has nothing left but to abandon himself to chance . Destitute of that branch of knowledge , in vain will either pretend to foretell what effect his work will have upon the heart . The principles of the fine arts , appear , in ...
32 psl.
... rule , is rather a confirmation of it . A selfish motive proceeding from a social principle , such as that mentioned , is the most respectable of all selfish motives . To enjoy the pleasure of a virtuous Animal love when carried into ...
... rule , is rather a confirmation of it . A selfish motive proceeding from a social principle , such as that mentioned , is the most respectable of all selfish motives . To enjoy the pleasure of a virtuous Animal love when carried into ...
36 psl.
... rule , to deck out the chief characters with every vice in fashion , however gross . But , as such characters viewed in a true light would be disgustful , care is taken to disguise their de- formity under the embellishments of wit ...
... rule , to deck out the chief characters with every vice in fashion , however gross . But , as such characters viewed in a true light would be disgustful , care is taken to disguise their de- formity under the embellishments of wit ...
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accent action Æneid agreeable appear beauty blank verse Cæsar capital cause Chap circumstance color connected degree Demetrius Phalereus disagreeable distinguished effect elevation emotions Eneid epic epic poetry Euripides example expression external signs feeling figure Fingal foregoing garden give grandeur grief habit Heav'n Hence Henry IV Hexameter Hudibras human ideas Iliad imagination imitation impression Jane Shore Julius Cæsar kind language less long syllable manner means melody metaphor mind motion Mourning Bride nature never object observation occasion ornaments Othello pain Paradise Lost passion pause peculiar perceive perception person pleasant pleasure poem produce pronounced proper proportion raised reader reason relation relish resemblance respect rhyme Richard II ridicule rule scarcely scene sense sensible sentiments Shakspeare short syllables sight simile sion sound spectator Spondees taste termed thee things thou thought tion tone tragedy uniformity variety verse words writer