Elements of CriticismMason Bothers, 1860 - 504 psl. |
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11 psl.
... pleasure as existing in the nostriis along with the impression made by the rose upon that rgan And the same will be the result of experiments with respect to every feeling of taste , touch , and smell . Touch affords the most ...
... pleasure as existing in the nostriis along with the impression made by the rose upon that rgan And the same will be the result of experiments with respect to every feeling of taste , touch , and smell . Touch affords the most ...
12 psl.
... pleasure , which has no relish but while we are in vigor , is ill qualified for that office ; but the finer pleasures of sense , which occupy without exhausting the mind , are finely qualified to restore its usual tone after severe ...
... pleasure , which has no relish but while we are in vigor , is ill qualified for that office ; but the finer pleasures of sense , which occupy without exhausting the mind , are finely qualified to restore its usual tone after severe ...
13 psl.
... pleasures of the eye and ear have , accordingly , a natural apti- tude to draw us from the immoderate gratification of ... pleasure to the eye and the ear , disregarding the inferior senses . A taste for these arts is a plant that grows ...
... pleasures of the eye and ear have , accordingly , a natural apti- tude to draw us from the immoderate gratification of ... pleasure to the eye and the ear , disregarding the inferior senses . A taste for these arts is a plant that grows ...
14 psl.
... pleasure we derive from them . To the man who resigns himself to feeling without inter- posing any judgment , poetry , music , painting , are mere pastime . In the prime of life , indeed , they are delightful , being supported by the ...
... pleasure we derive from them . To the man who resigns himself to feeling without inter- posing any judgment , poetry , music , painting , are mere pastime . In the prime of life , indeed , they are delightful , being supported by the ...
15 psl.
... pleasure ; and of course our sympathy , which is the capital branch of every social passion Sympathy invites a communication of joys and sorrows , hopes and fears such exercise , soothing and satisfactory in itself , is necessarily ...
... pleasure ; and of course our sympathy , which is the capital branch of every social passion Sympathy invites a communication of joys and sorrows , hopes and fears such exercise , soothing and satisfactory in itself , is necessarily ...
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accent action Æneid agreeable appear beauty blank verse Cæsar capital cause Chap circumstance color connected degree Demetrius Phalereus disagreeable distinguished effect elevation emotions Eneid epic epic poetry Euripides example expression external signs feeling figure Fingal foregoing garden give grandeur grief habit Heav'n Hence Henry IV Hexameter Hudibras human ideas Iliad imagination imitation impression Jane Shore Julius Cæsar kind language less long syllable manner means melody metaphor mind motion Mourning Bride nature never object observation occasion ornaments Othello pain Paradise Lost passion pause peculiar perceive perception person pleasant pleasure poem produce pronounced proper proportion raised reader reason relation relish resemblance respect rhyme Richard II ridicule rule scarcely scene sense sensible sentiments Shakspeare short syllables sight simile sion sound spectator Spondees taste termed thee things thou thought tion tone tragedy uniformity variety verse words writer