Elements of CriticismMason Bothers, 1860 - 504 psl. |
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Rezultatai 1–5 iš 42
7 psl.
... perceive it . It is by no means pretended , however , that the force and spirit of the original poetry , are uniformly retained in the translations . This , when the dissimilarity that exists between the two lan- guages is borne in mind ...
... perceive it . It is by no means pretended , however , that the force and spirit of the original poetry , are uniformly retained in the translations . This , when the dissimilarity that exists between the two lan- guages is borne in mind ...
11 psl.
... perceiving external objects , distinguishes , remarkably , hearing and seeing from the other senses , and I am ready to show , that it distinguishes , still more remarkably , the feelings of the former from those of the latter . Every ...
... perceiving external objects , distinguishes , remarkably , hearing and seeing from the other senses , and I am ready to show , that it distinguishes , still more remarkably , the feelings of the former from those of the latter . Every ...
25 psl.
... perceive a multitude of objects connected by contiguity solely ; which is not unpleasant , because objects of sight make an impression so lively , that a relation even of the slightest kind is relished . This , however , ought not to be ...
... perceive a multitude of objects connected by contiguity solely ; which is not unpleasant , because objects of sight make an impression so lively , that a relation even of the slightest kind is relished . This , however , ought not to be ...
28 psl.
... perceiving certain external objects , we are instantaneously conscious of pleasure or pain : a gently - flowing river - a smooth extended plain -a spreading oak - a towering hill , are objects of sight that raise pleasant emotions : a ...
... perceiving certain external objects , we are instantaneously conscious of pleasure or pain : a gently - flowing river - a smooth extended plain -a spreading oak - a towering hill , are objects of sight that raise pleasant emotions : a ...
29 psl.
... perceive a quality as separated from the subject . Hence it must be evident , that emotions are raised , not by qualities abstractly considered , but by the substance or body so and so qualified . Thus , a spreading oak raises a ...
... perceive a quality as separated from the subject . Hence it must be evident , that emotions are raised , not by qualities abstractly considered , but by the substance or body so and so qualified . Thus , a spreading oak raises a ...
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accent action Æneid agreeable appear beauty blank verse Cæsar capital cause Chap circumstance color connected degree Demetrius Phalereus disagreeable distinguished effect elevation emotions Eneid epic epic poetry Euripides example expression external signs feeling figure Fingal foregoing garden give grandeur grief habit Heav'n Hence Henry IV Hexameter Hudibras human ideas Iliad imagination imitation impression Jane Shore Julius Cæsar kind language less long syllable manner means melody metaphor mind motion Mourning Bride nature never object observation occasion ornaments Othello pain Paradise Lost passion pause peculiar perceive perception person pleasant pleasure poem produce pronounced proper proportion raised reader reason relation relish resemblance respect rhyme Richard II ridicule rule scarcely scene sense sensible sentiments Shakspeare short syllables sight simile sion sound spectator Spondees taste termed thee things thou thought tion tone tragedy uniformity variety verse words writer