Elements of CriticismMason Bothers, 1860 - 504 psl. |
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21 psl.
... ornaments , and the superior before the inferior or de pendant : we are equally averse to enter into a minute consideration . It of constituent parts , till the thing be first Ch . 1. ] 2 PERCEPTIONS AND IDEAS IN A TRAIN .
... ornaments , and the superior before the inferior or de pendant : we are equally averse to enter into a minute consideration . It of constituent parts , till the thing be first Ch . 1. ] 2 PERCEPTIONS AND IDEAS IN A TRAIN .
23 psl.
... ornaments , which are not felt in the opposite course . Elevation touches the mind no less than grandeur ; and in raising the mind to elevated objects , there is a sensible pleasure . The course of nature , however , has still a greater ...
... ornaments , which are not felt in the opposite course . Elevation touches the mind no less than grandeur ; and in raising the mind to elevated objects , there is a sensible pleasure . The course of nature , however , has still a greater ...
43 psl.
... ornaments upon one who is homely , must be elegant indeed to have any remark- able effect in improving her appearance . * The emotions produced as above may properly be termed secondary , being occasioned either by antecedent emotions ...
... ornaments upon one who is homely , must be elegant indeed to have any remark- able effect in improving her appearance . * The emotions produced as above may properly be termed secondary , being occasioned either by antecedent emotions ...
46 psl.
... ornaments , the mind is not satisfied with a single transition from the former to the latter ; it must also view the relation , beginning at the latter , and passing from it to the former . This vibration of the mind in passing and ...
... ornaments , the mind is not satisfied with a single transition from the former to the latter ; it must also view the relation , beginning at the latter , and passing from it to the former . This vibration of the mind in passing and ...
104 psl.
... ornaments . There is an additional rea- son for simplicity , in works of dignity or elevation ; which is , that the mind attached to beauties of a high rank , cannot descend to inte rior beauties . The best artists , accordingly , have ...
... ornaments . There is an additional rea- son for simplicity , in works of dignity or elevation ; which is , that the mind attached to beauties of a high rank , cannot descend to inte rior beauties . The best artists , accordingly , have ...
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accent action Æneid agreeable appear beauty blank verse Cæsar capital cause Chap circumstance color connected degree Demetrius Phalereus disagreeable distinguished effect elevation emotions Eneid epic epic poetry Euripides example expression external signs feeling figure Fingal foregoing garden give grandeur grief habit Heav'n Hence Henry IV Hexameter Hudibras human ideas Iliad imagination imitation impression Jane Shore Julius Cæsar kind language less long syllable manner means melody metaphor mind motion Mourning Bride nature never object observation occasion ornaments Othello pain Paradise Lost passion pause peculiar perceive perception person pleasant pleasure poem produce pronounced proper proportion raised reader reason relation relish resemblance respect rhyme Richard II ridicule rule scarcely scene sense sensible sentiments Shakspeare short syllables sight simile sion sound spectator Spondees taste termed thee things thou thought tion tone tragedy uniformity variety verse words writer