Elements of CriticismMason Bothers, 1860 - 504 psl. |
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10 psl.
... Language , 247 Sect . 1. Beauty of Language with respect to Sound , 248 Sect . 2. Beauty of Language with respect to Signification , 254 · Sect . 3. Beauty of Language from a resemblance between Sound and Signification , 282 Sect . 4 ...
... Language , 247 Sect . 1. Beauty of Language with respect to Sound , 248 Sect . 2. Beauty of Language with respect to Signification , 254 · Sect . 3. Beauty of Language from a resemblance between Sound and Signification , 282 Sect . 4 ...
56 psl.
... language would lose entirely its signal power of making us sympathize with beings removed at the greatest distance of time as well as of place . Nor is the influence of language , by means of ideal presence , con- fined to the heart ...
... language would lose entirely its signal power of making us sympathize with beings removed at the greatest distance of time as well as of place . Nor is the influence of language , by means of ideal presence , con- fined to the heart ...
61 psl.
... language : a people must be thoroughly refined , before they invent words for expressing the more delicate feelings ; and for that reason , no known tongue has hitherto reached that perfection . We must , therefore , rest satisfied with ...
... language : a people must be thoroughly refined , before they invent words for expressing the more delicate feelings ; and for that reason , no known tongue has hitherto reached that perfection . We must , therefore , rest satisfied with ...
64 psl.
Lord Henry Home Kames Abraham Mills. language : the emotions raised by a fine landscape in its successive appearances are not distinguishable from each other , nor even from those raised by successive ideas of the object ; all of them ...
Lord Henry Home Kames Abraham Mills. language : the emotions raised by a fine landscape in its successive appearances are not distinguishable from each other , nor even from those raised by successive ideas of the object ; all of them ...
111 psl.
... language these different emotions . The emotions raised by color , by regularity , by proportion , and by order , have such a resemblance to each other , as readily to come under one general term , viz . the emotion of beauty ; but the ...
... language these different emotions . The emotions raised by color , by regularity , by proportion , and by order , have such a resemblance to each other , as readily to come under one general term , viz . the emotion of beauty ; but the ...
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accent action Æneid agreeable appear beauty blank verse Cæsar capital cause Chap circumstance color connected degree Demetrius Phalereus disagreeable distinguished effect elevation emotions Eneid epic epic poetry Euripides example expression external signs feeling figure Fingal foregoing garden give grandeur grief habit Heav'n Hence Henry IV Hexameter Hudibras human ideas Iliad imagination imitation impression Jane Shore Julius Cæsar kind language less long syllable manner means melody metaphor mind motion Mourning Bride nature never object observation occasion ornaments Othello pain Paradise Lost passion pause peculiar perceive perception person pleasant pleasure poem produce pronounced proper proportion raised reader reason relation relish resemblance respect rhyme Richard II ridicule rule scarcely scene sense sensible sentiments Shakspeare short syllables sight simile sion sound spectator Spondees taste termed thee things thou thought tion tone tragedy uniformity variety verse words writer