Elements of CriticismMason Bothers, 1860 - 504 psl. |
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13 psl.
... Hence a founuation for reasoning upon the taste * A taste for natural objects is born with us in perfection ; for relishing a fine countenance , a rich landscape , or a vivid colour , culture is unnecessary . The observation holds ...
... Hence a founuation for reasoning upon the taste * A taste for natural objects is born with us in perfection ; for relishing a fine countenance , a rich landscape , or a vivid colour , culture is unnecessary . The observation holds ...
16 psl.
... Hence it is common to find genius in one who is a prey to every passion ; but seldom delicacy of taste . Upon a man possessed of that blessing , the moral duties , no less than the fine arts , make a deep impression , and counterbalance ...
... Hence it is common to find genius in one who is a prey to every passion ; but seldom delicacy of taste . Upon a man possessed of that blessing , the moral duties , no less than the fine arts , make a deep impression , and counterbalance ...
21 psl.
... hence it is that accurate judgment is not friendly to declamation or copious elo- quence . This reasoning is confirmed by experience ; for it is a noted observation , that a great or comprehensive memory is seldom connected with a good ...
... hence it is that accurate judgment is not friendly to declamation or copious elo- quence . This reasoning is confirmed by experience ; for it is a noted observation , that a great or comprehensive memory is seldom connected with a good ...
23 psl.
... hence the singular beauty of smoke ascending in a calm morning . I am extremely sensible of the disgust men generally have to abstract speculation ; and I would avoid it altogether , if it could be done in a work that professes to draw ...
... hence the singular beauty of smoke ascending in a calm morning . I am extremely sensible of the disgust men generally have to abstract speculation ; and I would avoid it altogether , if it could be done in a work that professes to draw ...
29 psl.
... Hence it must be evident , that emotions are raised , not by qualities abstractly considered , but by the substance or body so and so qualified . Thus , a spreading oak raises a pleasant emotion , by means of its color , figure ...
... Hence it must be evident , that emotions are raised , not by qualities abstractly considered , but by the substance or body so and so qualified . Thus , a spreading oak raises a pleasant emotion , by means of its color , figure ...
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accent action Æneid agreeable appear beauty blank verse Cæsar capital cause Chap circumstance color connected degree Demetrius Phalereus disagreeable distinguished effect elevation emotions Eneid epic epic poetry Euripides example expression external signs feeling figure Fingal foregoing garden give grandeur grief habit Heav'n Hence Henry IV Hexameter Hudibras human ideas Iliad imagination imitation impression Jane Shore Julius Cæsar kind language less long syllable manner means melody metaphor mind motion Mourning Bride nature never object observation occasion ornaments Othello pain Paradise Lost passion pause peculiar perceive perception person pleasant pleasure poem produce pronounced proper proportion raised reader reason relation relish resemblance respect rhyme Richard II ridicule rule scarcely scene sense sensible sentiments Shakspeare short syllables sight simile sion sound spectator Spondees taste termed thee things thou thought tion tone tragedy uniformity variety verse words writer