The Dramatic Censor: Or, Critical Companion, 1 tomasGregg, 1969 - 21 psl. |
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Rezultatai 1–3 iš 43
140 psl.
... speech to that purpose ? I must present it to the can- did reader . Why , why is this ? Thinkst thou I'd make a life of jealousy , To follow ftill the changes of the moon With fresh fufpicions ? No , to be once in doubt , Is once to be ...
... speech to that purpose ? I must present it to the can- did reader . Why , why is this ? Thinkst thou I'd make a life of jealousy , To follow ftill the changes of the moon With fresh fufpicions ? No , to be once in doubt , Is once to be ...
173 psl.
... speech where he asks about the fray , and men- tions his love are mafterly ; but we apprehend his . coming to the subject thus at once , is no way con- fiftent with that impenetrable fecrecy charged against him in a former fcene ...
... speech where he asks about the fray , and men- tions his love are mafterly ; but we apprehend his . coming to the subject thus at once , is no way con- fiftent with that impenetrable fecrecy charged against him in a former fcene ...
359 psl.
... speech as what follows fhould have been overlooked by TATE , when he might have fo much improved the acting merit of Cordelia , by putting it in her mouth ; it occurs in the first scene of the third act , as SHAKE- SPEARE wrote it , and ...
... speech as what follows fhould have been overlooked by TATE , when he might have fo much improved the acting merit of Cordelia , by putting it in her mouth ; it occurs in the first scene of the third act , as SHAKE- SPEARE wrote it , and ...
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againſt agreeable alfo alſo appears audience Beggar's Opera cataſtrophe Cato cauſe cenfure character circumftance confequence confiderable converfation Cymon Cyrus deferves defign defire expreffed expreffion Fair Penitent fatire favour fays fcene fecond feelings feems feen fenfe fenfible fentiments feveral fhall fhews fhort fhould firft firſt fituation foliloquy fome fong fpeaking fpirit ftile ftrange ftriking fuch fuitable fuppofe fupported furniſhes gives happily Harpagus herſelf himſelf houſe humour huſband inftructive interefting Jaffier judiciouſly juft juftice Juliet juſt King King Lear lady laft laſt Macbeth mention Merchant of Venice merit Mifs moft moſt muft muſt nature obfervation occafions Othello paffages paffion perfon piece pleafing pleaſe poffeffed praiſe prefent Preferved purpoſe racter raiſe reaſon refolution refpect reprefentation Rofalind Romeo Romeo and Juliet ſay ſcene ſeems ſhall ſhe ſhort ſome ſpeak ſpeech ſtage ſtand ſtate ſuch ſuppoſe Syphax Teribazus theſe thofe thoſe tion uſeful Venice whofe whoſe wiſh Zenobia
Šią knygą minintys šaltiniai
Elizabeth Griffith– A Biographical and Critical Study Dorothy Hughes Eshleman Trumpų ištraukų rodinys - 1949 |