Stage Directions in Hamlet: New Essays and New DirectionsThe subject of stage directions in 'Hamlet', those brief semiotic codes that are embellished by historical, theatrical, and cultural considerations, produces a rigorous examination in the fifteen essays contained in this collection. This volume encompasses essays that are guardedly inductive in their critical approaches, as well as those that critique modern productions that attempt to achieve Shakespearean effect through a modern aesthetic. The volume also includes essays that enunciate the production of stage business as a cultural interplay between productions and social agencies outside the theater. |
Ką žmonės sako - Rašyti recenziją
Neradome recenzijų įprastose vietose.
Turinys
| 19 | |
| 33 | |
| 42 | |
Hamlets Stage Directions to the Players | 47 |
Explicit Stage Directions Especially Graphics in Hamlet | 74 |
The Case against Tidiness | 92 |
Tis heere Tis gone The Ghost in the Text | 101 |
To Soliloquize or Not to Soliloquize Hamlets To be Speech in Q1 and Q2F | 115 |
The Stage Directions Overt and Covert of Hamlet 51 | 140 |
Interpolations Extended Scenes and Musical Accompaniment in Kenneth Branaghs Hamlet | 161 |
Properties and Stage Business in Hamlet 34 | 170 |
Visual Representations of the Graveyard Scene in Hamlet | 189 |
Hamlet Yorick and the Chopless Stage Direction | 214 |
Afterword | 226 |
Contributors | 228 |
Index | 231 |
Kiti leidimai - Peržiūrėti viską
Stage Directions in Hamlet New Essays and New Directions Hardin L. Aasand Trumpų ištraukų rodinys - 2003 |
Pagrindiniai terminai ir frazės
action actors appearance audience authority becomes begins Cambridge characters Claudius close Clown commas contemporary course critical death director dramatic earlier early edition editors effect Elizabethan English Enter entrance essays evidence example exit father figure final Folger Folio Gertrude Ghost gives grave Gravedigger Hamlet hand holding Horatio illustration imagine indicate interpretation interrupted ironic John John Dover Wilson King King's Laertes later leave London look Lord marks meaning miniatures noise opening Ophelia original particular passage performance perhaps picture play players Polonius portraits possible practice present Press printed production punctuation Quarto Queen question readers reading record reference reflect response role says scene seems Shakespeare skull soliloquy speak speech stage directions stands suggests textual theater theatrical traditional University visual wall Wilson Yorick's skull York young
Populiarios ištraukos
58 psl. - And let those that play your clowns, speak no more than is set down for them : for there be of them, that will themselves laugh, to set on some quantity of barren spectators to laugh too ; though, in the mean time, some necessary question of the play be then to be considered: that's villainous; and . shows a most pitiful ambition in the fool that uses it.
57 psl. - ... accent of Christians nor the gait of Christian, pagan, nor man, have so strutted and bellowed that I have thought some of nature's journeymen had made men and not made them well, they imitated humanity so abominably.
28 psl. - To assume a pleasing shape; yea, and perhaps Out of my weakness and my melancholy, As he is very potent with such spirits, Abuses me to damn me. I'll have grounds More relative than this: the play's the thing Wherein I'll catch the conscience of the king.
49 psl. - Nor do not saw the air too much with your hand, thus ; but use all gently ; for in the very torrent, tempest, and, as I may say, whirlwind of your passion, you must acquire and beget a temperance that may give it smoothness.
49 psl. - That he should weep for her? What would he do Had he the motive and the cue for passion That I have? He would drown the stage with tears, And cleave the general ear with horrid speech, Make mad the guilty and appal the free, Confound the ignorant, and amaze indeed The very faculties of eyes and ears.
65 psl. - I have kissed I know not how oft. Where be your gibes now? your gambols? your songs? your flashes of merriment, that were wont to set the table on a roar? Not one now, to mock your own grinning? quite chap-fallen? Now get you to my lady's chamber, and tell her, let her paint an inch thick, to this favour she must come ; make her laugh at that. Prithee, Horatio, tell me one thing. Hor. What's that, my lord? Ham. Dost thou think Alexander looked o' this fashion i
53 psl. - Prompted to my revenge by heaven and hell, Must, like a whore, unpack my heart with words, And fall a-cursing, like a very drab, A scullion!
52 psl. - To outface me with leaping in her grave? Be buried quick with her, and so will I. And, if thou prate of mountains, let them throw Millions of acres on us, till our ground, Singeing his pate against the burning zone, Make Ossa like a wart! Nay, and thou'lt mouth, I'll rant as well as thou.
62 psl. - tis too true; How smart a lash that speech doth give my conscience! The harlot's cheek, beautied with plastering art, Is not more ugly to the thing that helps it Than is my deed to my most painted word: O heavy burden!
50 psl. - I have taken note of it ; the age is grown so picked that the toe of the peasant comes so near the heel of the courtier, he galls his kibe. How long hast thou been a grave-maker?
Bibliografinė informacija
| Pavadinimas | Stage Directions in Hamlet New Essays and New Directions |
| Redaktorius | Hardin L. Aasand |
| Leidimas | iliustruotas |
| Leidėjas | Fairleigh Dickinson Univ Press, 2003 |
| ISBN | 0838639461, 9780838639467 |
| Ilgis | 234 psl. |
| Eksportuoti šaltinį | BiBTeX EndNote RefMan |