Careless, and grand-fingers soft and round Parting luxuriant curls ;-and the swift bound Of Bacchus from his chariot, when his eye Made Ariadne's cheek look blushingly. Thus I remember all the pleasant flow Of words at opening a portfolio. Things such as these are ever harbingers To trains of peaceful images: the stirs Of a swan's neck unseen among the rushes: A linnet starting all about the bushes: A butterfly, with golden wings broad parted Nestling a rose, convuls'd as though it smarted With over pleasure-many, many more, I partly owe to him: and thus, the chimes Of friendly voices had just given place To as sweet a silence, when I 'gan retrace The pleasant day, upon a couch at ease. It was a poet's house who keeps the keys Of pleasure's temple. Round about were hung The glorious features of the bards who sung In other ages-cold and sacred busts Smiled at each other. Happy he who trusts To clear Futurity his darling fame! Then there were fauns and satyrs taking aim At swelling apples with a frisky leap And reaching fingers, 'mid a luscious heap Of vine leaves. Then there rose to view a fane Of liny marble, and thereto a train Of nymphs approaching fairly o'er the sward: One, loveliest, holding her white hand toward The dazzling sun-rise: two sisters sweet Bending their graceful figures till they meet Over the trippings of a little child : And some are hearing, eagerly, the wild Leigh Hunt's. The following lines are a deseptim of the room in which the poem was written, with its decorations. And each imagin'd pinnacle and steep Of godlike hardship tells me I must die Like a sick Eagle looking at the sky. Yet 'tis a gentle luxury to weep That I have not the cloudy winds to keep, Fresh for the opening of the morning's eye. Such dim-conceived glories of the brain Bring round the heart an undescribable feud; So do these wonders a most dizzy pain. That mingles Grecian grandeur with the rude Wasting of old Time-with a billowy main A sun-a shadow of a magnitude. 1817. March 9, 1817. ON A PICTURE OF LEANDER COME hither all sweet maidens soberly, Down-looking aye, and with a chastened light Hid in the fringes of your eyelids white. And meekly let your fair hands joinėd be, As if so gentle that ye could not see, Untouched, a victim of your beauty bright, Sinking away to his young spirit's night, Sinking bewildered mid the dreary sea: 'Tis young Leander toiling to his death; Nigh swooning, he doth purse his weary lips For Hero's cheek, and smiles against her smile. O horrid dream! see how his body dips Dead-heavy; arms and shoulders gleam awhile: He's gone; up bubbles all his amorous breath! ? . . . . 1829. Oh ye! who have your eye-balls vexed and tired, Feast them upon the wideness of the Sea: Oh ye! whose ears are dinned with uproar rude, Or fed too much with cloying melody,— Sit ye near some old cavern's mouth, and brood Until ye start, as if the sea-nymphs quired! August, 1817. 1848. WHEN I HAVE FEARS THAT I MAY CEASE TO BE WHEN I have fears that I may cease to be Before my pen has glean'd my teeming brain, Before high piled books, in charact'ry, Hold like rich garners the full-ripen'd grain ; When I behold, upon the night's starr'd face. Huge cloudy symbols of a high romance, And think that I may never live to trace Their shadows, with the magic hand of chance; And when I feel, fair creature of an hour! That I shall never look upon thee more, Of the wide world I stand alone, and think Till Love and Fame to nothingness do sink. 1817. 1848. Made for our searching: yes, in spite of all, Some shape of beauty moves away the pall From our dark spirits. Such the sun, the moon, Trees old and young, sprouting a shady boon For simple sheep; and such are daffodils With the green world they live in; and clear rills That for themselves a cooling covert make 'Gainst the hot season; the mid-forest brake, Rich with a sprinkling of fair musk-rose blooms: And such too is the grandeur of the dooms We have imagined for the mighty dead; All lovely tales that we have heard or read: An endless fountain of immortal drink, Pouring unto us from the heaven's brink. [Endymion speaks, to his Sister Peona.] "This river does not see the naked sky, Till it begins to progress silverly Around the western border of the wood, Whence, from a certain spot, its winding flood Seems at the distance like a crescent moon; And in that nook, the very pride of June, Had I been used to pass my weary eves; There rather for the sun unwilling leaves So dear a picture of his sovereign power, And I could witness his most kingly hour, When he doth lighten up the golden reins, And paces leisurely down amber plains His snorting four. Now when his chariot last Its beams against the zodiac-lion cast, That but one night had wrought this flowery spell; And, sitting down close by, began to muse What it might mean. Perhaps, thought I, Morpheus, In passing here, his owlet pinions shook; Or, it may be, ere matron Night uptook Her ebon urn, young Mercury, by stealth, Had dipt his rod in it: such garland wealth Came not by common growth. Thus on I thought, Until my head was dizzy and distraught. Moreover, through the dancing poppies stole A breeze, most softly lulling to my soul; And shaping visions all about my sight Of colors, wings, and bursts of spangly light; The which became more strange, and strange, and dim, And then were gulf'd in a tumultuous swim: And then I fell asleep. Ah, can I tell Could figure out and to way conception bring Methought I lay where the milky Among the stars in virgin splendor pours; And travelling my eye, until the doors So kept me stedfast in that airy trance, And lo! from opening clouds, I saw |