Elements of Criticism, 3 tomasA. Miller, London; and A. Kincaid & J. Bell, Edinburgh, 1762 |
Knygos viduje
Rezultatai 15 iš 31
31 psl.
... tragedy , make its appearance with a much better grace ; the fituation there represented , being too difpiriting for fimile . A fimilé is improper for one who dreads the discovery of a fecret machina- tion . Zara . The mute not yet ...
... tragedy , make its appearance with a much better grace ; the fituation there represented , being too difpiriting for fimile . A fimilé is improper for one who dreads the discovery of a fecret machina- tion . Zara . The mute not yet ...
61 psl.
... tragedy of Phedra , defcri- bing the fea - monster that destroy'd Hippo- litus , conceives the fea itself to be infpi- red with terror as well as the fpectators ; or more accurately transfers from the fpecta- tors their terror to the ...
... tragedy of Phedra , defcri- bing the fea - monster that destroy'd Hippo- litus , conceives the fea itself to be infpi- red with terror as well as the fpectators ; or more accurately transfers from the fpecta- tors their terror to the ...
76 psl.
... tragedy , agitated by a strong paf- fion , deals in ftrong fentiments ; and the reader , catching fire by sympathy , relishes the boldest personifications . But a writer , even in the most lively defcription , ought to take a lower ...
... tragedy , agitated by a strong paf- fion , deals in ftrong fentiments ; and the reader , catching fire by sympathy , relishes the boldest personifications . But a writer , even in the most lively defcription , ought to take a lower ...
215 psl.
... tragedy of Othello , is fo monftrous and fatanical , as not to be fuf- ferable in a representation : not even Shake- fpear's masterly hand can make the picture agreeable . Though the objects introduced in the fol- lowing fcenes , are ...
... tragedy of Othello , is fo monftrous and fatanical , as not to be fuf- ferable in a representation : not even Shake- fpear's masterly hand can make the picture agreeable . Though the objects introduced in the fol- lowing fcenes , are ...
218 psl.
... Tragedy reprefents its facts as tranf- acted in our fight . In the former , the poet introduces himself as an hiftorian : in the latter he prefents his actors and never him- felf * This * The dialogue in a dramatic compofition feparates ...
... Tragedy reprefents its facts as tranf- acted in our fight . In the former , the poet introduces himself as an hiftorian : in the latter he prefents his actors and never him- felf * This * The dialogue in a dramatic compofition feparates ...
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
abſtract action Æneid againſt agreeable alfo allegory alſo appears beauty becauſe betwixt caufe cauſe cenfured chap circumftance compariſon compofition confidered Cymbeline defcription difagreeable diſtinguiſhed effect effential emotions employ'd Eneid epic poem epic poetry Euripides expreffed expreffion fame fcene fect feems fenfe fenfible fhall fhould fignify figure fimile fingle firft firſt fize fome fpectator fpeech ftandard ftill fubject fuch fuppofe garden hath Henry IV Henry VI himſelf houſe Iliad imagination impreffion inftances itſelf ject lefs meaſure metaphor mind moſt Mozambic mufic muft muſt nature neceffary obfcure obferved objects occafion oppofite ornament paffage paffing paffion Paradife Loft perfon perfonification pleaſant pleaſure prefent principle proper proportion purpoſe raiſed reafon refpect regularity reliſhed repreſentation repreſented reſemblance Richard II ſcene ſenſe ſome ſtage ſtate ſuch tafte taſte termed thee thefe theſe thing thofe thoſe thou tion tragedy uſe vafes words
Populiarios ištraukos
178 psl. - Your infants in your arms, and there have sat The livelong day, with patient expectation, To see great POmpey pass the streets of Rome...
15 psl. - Like night, and darken'd all the land of Nile: So numberless were those bad Angels seen Hovering on wing under the cope of Hell, Twixt upper, nether, and surrounding fires...
211 psl. - I'll give my jewels for a set of beads, My gorgeous palace for a hermitage, My gay apparel for an almsman's gown, My...
67 psl. - O gentle sleep, Nature's soft nurse, how have I frighted thee, That thou no more wilt weigh my eyelids down, And steep my senses in forgetfulness...
12 psl. - And thus still doing, thus he pass'd along. Duch. Alas ! poor Richard ! where rides he the while ? York. As in a theatre, the eyes of men, After a well-graced actor leaves the stage, Are idly bent on him that enters next, Thinking his prattle to be tedious : Even so, or with much more contempt, men's eyes Did scowl on Richard ; no man cried, God save him...
17 psl. - Looks through the horizontal misty air Shorn of his beams, or from behind the moon, In dim eclipse, disastrous twilight sheds On half the nations, and with fear of change Perplexes monarchs.
199 psl. - Should I turn upon the true prince ? Why, thou knowest, I am as valiant as Hercules: but beware instinct; the lion will not touch the true prince. Instinct is a great matter ; I was a coward on instinct.
18 psl. - And higher than that wall a circling row Of goodliest trees, loaden with fairest fruit, Blossoms and fruits at once...
62 psl. - First in his east the glorious lamp was seen, Regent of day, and all th' horizon round Invested with bright rays, jocund to run His longitude through heav'n's high road; the gray Dawn and the Pleiades before him danc'd, Shedding sweet influence...
55 psl. - O, pardon me, thou bleeding piece of earth, That I am meek and gentle with these butchers; Thou art the ruins of the noblest man That ever lived in the tide of times.