Elements of Criticism, 3 tomasA. Miller, London; and A. Kincaid & J. Bell, Edinburgh, 1762 |
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24 psl.
... imagining the figure that men make in the fight of a fuperior being , takes opportunity to mor- * Beginning of book 3 . Guardian No. 153 , + Book 4. 1. 498 . tify their pride by comparing them to a fwarm of tify 24 Ch . XIX ...
... imagining the figure that men make in the fight of a fuperior being , takes opportunity to mor- * Beginning of book 3 . Guardian No. 153 , + Book 4. 1. 498 . tify their pride by comparing them to a fwarm of tify 24 Ch . XIX ...
25 psl.
... imagination ; far lefs is he fo difpofed , when oppreffed with cares , or interested in fome important tranfaction Strada de bello Belgico . VOL . III . D that I that occupies him totally . The region of comparison Ch . XIX . 25 ...
... imagination ; far lefs is he fo difpofed , when oppreffed with cares , or interested in fome important tranfaction Strada de bello Belgico . VOL . III . D that I that occupies him totally . The region of comparison Ch . XIX . 25 ...
26 psl.
... imagination ; we are in that condition wonderfully difpofed to every fort of figu rative expreffion , and in particular to com- It is accordingly obferved by Longinus , in his treatise of the Sublime , that the proper time for metaphor ...
... imagination ; we are in that condition wonderfully difpofed to every fort of figu rative expreffion , and in particular to com- It is accordingly obferved by Longinus , in his treatise of the Sublime , that the proper time for metaphor ...
27 psl.
... imagination , prompts the heart to difplay itself in figurative language , and in fimiles ! Troilus . Tell me , Apollo , for thy Daphne's love , What Creffid is , what Pandar , and what we ? Her bed is India , there fhe lies , a pearl ...
... imagination , prompts the heart to difplay itself in figurative language , and in fimiles ! Troilus . Tell me , Apollo , for thy Daphne's love , What Creffid is , what Pandar , and what we ? Her bed is India , there fhe lies , a pearl ...
28 psl.
... imagination : Wolfey . Nay , then , farewell ; I've touch'd the highest point of all my greatness . And from that full meridian of my glory I haste now to my fetting . I fhall , fall , Like a bright exhalation in the evening , And no ...
... imagination : Wolfey . Nay , then , farewell ; I've touch'd the highest point of all my greatness . And from that full meridian of my glory I haste now to my fetting . I fhall , fall , Like a bright exhalation in the evening , And no ...
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Pagrindiniai terminai ir frazės
abſtract action Æneid againſt agreeable alfo allegory alſo appears beauty becauſe betwixt caufe cauſe cenfured chap circumftance compariſon compofition confidered Cymbeline defcription difagreeable diſtinguiſhed effect effential emotions employ'd Eneid epic poem epic poetry Euripides expreffed expreffion fame fcene fect feems fenfe fenfible fhall fhould fignify figure fimile fingle firft firſt fize fome fpectator fpeech ftandard ftill fubject fuch fuppofe garden hath Henry IV Henry VI himſelf houſe Iliad imagination impreffion inftances itſelf ject lefs meaſure metaphor mind moſt Mozambic mufic muft muſt nature neceffary obfcure obferved objects occafion oppofite ornament paffage paffing paffion Paradife Loft perfon perfonification pleaſant pleaſure prefent principle proper proportion purpoſe raiſed reafon refpect regularity reliſhed repreſentation repreſented reſemblance Richard II ſcene ſenſe ſome ſtage ſtate ſuch tafte taſte termed thee thefe theſe thing thofe thoſe thou tion tragedy uſe vafes words
Populiarios ištraukos
178 psl. - Your infants in your arms, and there have sat The livelong day, with patient expectation, To see great POmpey pass the streets of Rome...
15 psl. - Like night, and darken'd all the land of Nile: So numberless were those bad Angels seen Hovering on wing under the cope of Hell, Twixt upper, nether, and surrounding fires...
211 psl. - I'll give my jewels for a set of beads, My gorgeous palace for a hermitage, My gay apparel for an almsman's gown, My...
67 psl. - O gentle sleep, Nature's soft nurse, how have I frighted thee, That thou no more wilt weigh my eyelids down, And steep my senses in forgetfulness...
12 psl. - And thus still doing, thus he pass'd along. Duch. Alas ! poor Richard ! where rides he the while ? York. As in a theatre, the eyes of men, After a well-graced actor leaves the stage, Are idly bent on him that enters next, Thinking his prattle to be tedious : Even so, or with much more contempt, men's eyes Did scowl on Richard ; no man cried, God save him...
17 psl. - Looks through the horizontal misty air Shorn of his beams, or from behind the moon, In dim eclipse, disastrous twilight sheds On half the nations, and with fear of change Perplexes monarchs.
199 psl. - Should I turn upon the true prince ? Why, thou knowest, I am as valiant as Hercules: but beware instinct; the lion will not touch the true prince. Instinct is a great matter ; I was a coward on instinct.
18 psl. - And higher than that wall a circling row Of goodliest trees, loaden with fairest fruit, Blossoms and fruits at once...
62 psl. - First in his east the glorious lamp was seen, Regent of day, and all th' horizon round Invested with bright rays, jocund to run His longitude through heav'n's high road; the gray Dawn and the Pleiades before him danc'd, Shedding sweet influence...
55 psl. - O, pardon me, thou bleeding piece of earth, That I am meek and gentle with these butchers; Thou art the ruins of the noblest man That ever lived in the tide of times.