Elements of Criticism, 3 tomasA. Miller, London; and A. Kincaid & J. Bell, Edinburgh, 1762 |
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61 psl.
... connected : Le flot qui l ' apporta recule epouvanté , A man also naturally communicates his joy to all objects around , animate or inani- mate : As when to them who fail Beyond the Cape of Hope , and now are past Mozambic , Mozambic ...
... connected : Le flot qui l ' apporta recule epouvanté , A man also naturally communicates his joy to all objects around , animate or inani- mate : As when to them who fail Beyond the Cape of Hope , and now are past Mozambic , Mozambic ...
101 psl.
... connected objects ; and , where the objects are intimately connected , that it is difpofed to carry along the good or bad properties of one to another ; espe- cially where it is in any degree inflamed with these properties * . From this ...
... connected objects ; and , where the objects are intimately connected , that it is difpofed to carry along the good or bad properties of one to another ; espe- cially where it is in any degree inflamed with these properties * . From this ...
106 psl.
... connected with a sub- ject , expreffed as a quality of the fubject . Breezy fummit . ' Tis ours the chance of fighting fields to try . - ... Iliadi . 301 Oh ! had I dy'd before that well - fought wall . Ody . v . 395 , From this table ...
... connected with a sub- ject , expreffed as a quality of the fubject . Breezy fummit . ' Tis ours the chance of fighting fields to try . - ... Iliadi . 301 Oh ! had I dy'd before that well - fought wall . Ody . v . 395 , From this table ...
107 psl.
... connection betwixt an awful fuperior and his fubmiffive dependent is fo intimate , that an attribute may readily be transferred from the one to the other . But awfulness cannot be fo transferred , because it is in- confiftent with ...
... connection betwixt an awful fuperior and his fubmiffive dependent is fo intimate , that an attribute may readily be transferred from the one to the other . But awfulness cannot be fo transferred , because it is in- confiftent with ...
109 psl.
... connected with a common pa- rent , refembles a tree , the trunk and branches of which are connected with a common root . But let us fuppofe , that a family is figured not barely to be like a tree , but to be a tree , and then the fimile ...
... connected with a common pa- rent , refembles a tree , the trunk and branches of which are connected with a common root . But let us fuppofe , that a family is figured not barely to be like a tree , but to be a tree , and then the fimile ...
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Pagrindiniai terminai ir frazės
abſtract action Æneid againſt agreeable alfo allegory alſo appears beauty becauſe betwixt caufe cauſe cenfured chap circumftance compariſon compofition confidered Cymbeline defcription difagreeable diſtinguiſhed effect effential emotions employ'd Eneid epic poem epic poetry Euripides expreffed expreffion fame fcene fect feems fenfe fenfible fhall fhould fignify figure fimile fingle firft firſt fize fome fpectator fpeech ftandard ftill fubject fuch fuppofe garden hath Henry IV Henry VI himſelf houſe Iliad imagination impreffion inftances itſelf ject lefs meaſure metaphor mind moſt Mozambic mufic muft muſt nature neceffary obfcure obferved objects occafion oppofite ornament paffage paffing paffion Paradife Loft perfon perfonification pleaſant pleaſure prefent principle proper proportion purpoſe raiſed reafon refpect regularity reliſhed repreſentation repreſented reſemblance Richard II ſcene ſenſe ſome ſtage ſtate ſuch tafte taſte termed thee thefe theſe thing thofe thoſe thou tion tragedy uſe vafes words
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12 psl. - And thus still doing, thus he pass'd along. Duch. Alas ! poor Richard ! where rides he the while ? York. As in a theatre, the eyes of men, After a well-graced actor leaves the stage, Are idly bent on him that enters next, Thinking his prattle to be tedious : Even so, or with much more contempt, men's eyes Did scowl on Richard ; no man cried, God save him...
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