Elements of Criticism, 1 tomasA. Miller, London; and A. Kincaid & J. Bell, Edinburgh, 1765 |
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11 psl.
... rules ; but can discover no better foundation for any of them , than the practice merely of Homer and Virgil , fupported by the authority of Ari- stotle strange , that in fo long a work , the con- cordance or difcordance of thefe rules ...
... rules ; but can discover no better foundation for any of them , than the practice merely of Homer and Virgil , fupported by the authority of Ari- stotle strange , that in fo long a work , the con- cordance or difcordance of thefe rules ...
12 psl.
... rule , why should they be imitated ? if they ftu- died nature , and were obfequious to rational principles , why ... rules of criticifm are all of them derived from the human heart . The fenfitive part of our nature is a delightful ...
... rule , why should they be imitated ? if they ftu- died nature , and were obfequious to rational principles , why ... rules of criticifm are all of them derived from the human heart . The fenfitive part of our nature is a delightful ...
24 psl.
... rules of criticifra from human nature , their true fource . There is indeed no other choice , but to conti- nue for fome time in the fame train , or to aban- don the undertaking altogether . Candor obli- ges me to notify this to my ...
... rules of criticifra from human nature , their true fource . There is indeed no other choice , but to conti- nue for fome time in the fame train , or to aban- don the undertaking altogether . Candor obli- ges me to notify this to my ...
25 psl.
... rules of criticism , which fhall be unfolded in the courfe of this work . In the mean time , for fome prefent fatisfaction , they will be pleafed to accept the following fpeci- men . Every work of art that is conformable to the natural ...
... rules of criticism , which fhall be unfolded in the courfe of this work . In the mean time , for fome prefent fatisfaction , they will be pleafed to accept the following fpeci- men . Every work of art that is conformable to the natural ...
32 psl.
... rule for conducting his operations , nor any certain profpect of fuccefs , if he cannot determine beforehand what impreffion his work , when finished , will make upon the heart . A critical work that attempts to unfold the principles of ...
... rule for conducting his operations , nor any certain profpect of fuccefs , if he cannot determine beforehand what impreffion his work , when finished , will make upon the heart . A critical work that attempts to unfold the principles of ...
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action againſt agreeable alfo alſo appears arifing arts beauty becauſe Cæfar cafe caufe cauſe circumſtances colour connection courfe courſe criticifm defcribing defcription defire degree difagreeable diffimilar diftinct diftrefs diſcover diſtinguiſhable effect elevation emotion raiſed eſteem exiſtence expreffion faid fame feeling fenfe fenfible fentiment fhall fhould fhows fight fimilar fingle fingular fion firft firſt focial fome fometimes foon fpectator ftill ftrong fubject fublime fucceffion fuch fufficient furpriſe fwell grandeur gratification happineſs hath himſelf ideal prefence ideas impreffion inftances intereſting itſelf ject lefs leſs meaſure mind moft moſt motion mufic muft muſic muſt nature neceffary neral obfervation object occafion oppofite Othello paffage paffing paffion pain perceive perceptions perfon pleaſant emotion pleaſure prefent produce produceth propenfity puniſhment purpoſe qualities raife reafon reflection refpect reliſh reſemblance ſcarce ſelfiſh Shakeſpear ſtate ſtill tafte taſte thefe ther theſe thing thofe thoſe thou tion uſe