Elements of Criticism, 1 tomasA. Miller, London; and A. Kincaid & J. Bell, Edinburgh, 1765 |
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xiii psl.
... Perceptions and ideas in a train , 15 31 པ 2. Emotions and passions , Part 1. Caufes unfolded of the emotions and palions : Sect . 1. Difference between emotion and palion . - Caufes that are the most common and the most ge- neral ...
... Perceptions and ideas in a train , 15 31 པ 2. Emotions and passions , Part 1. Caufes unfolded of the emotions and palions : Sect . 1. Difference between emotion and palion . - Caufes that are the most common and the most ge- neral ...
xiv psl.
... perceptions , opinions , and belief , Appendix . The methods that nature hath afforded for computing time and Space , 6. The resemblance of emotions to their causes , 7. Final caufes of the more frequent e- motions and paffions , 3 ...
... perceptions , opinions , and belief , Appendix . The methods that nature hath afforded for computing time and Space , 6. The resemblance of emotions to their causes , 7. Final caufes of the more frequent e- motions and paffions , 3 ...
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... agitated mind ; but that foft and flow mufic hath a fine effect . A 2 Our Our first perceptions are of external objects , and our INTRODUCTION . 3 Beauty of language from a refem- continued Part Interrupted existence of emotions.
... agitated mind ; but that foft and flow mufic hath a fine effect . A 2 Our Our first perceptions are of external objects , and our INTRODUCTION . 3 Beauty of language from a refem- continued Part Interrupted existence of emotions.
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Lord Henry Home Kames. Our first perceptions are of external objects , and our first attachments are to them . Organic pleasures take the lead : but the mind , gradually ripening , relifheth more and more the pleasures of the eye and ear ...
Lord Henry Home Kames. Our first perceptions are of external objects , and our first attachments are to them . Organic pleasures take the lead : but the mind , gradually ripening , relifheth more and more the pleasures of the eye and ear ...
14 psl.
... prefs any undetermined number of parts less than the whole . This he thinks is fignified by the title he has chofen , viz . ELEMENTS OF CRITI CISM . ELE- O F CRITICIS M. CHAPTER I. PERCEPTIONS AND IDEAS IN 14 INTRODUCTION .
... prefs any undetermined number of parts less than the whole . This he thinks is fignified by the title he has chofen , viz . ELEMENTS OF CRITI CISM . ELE- O F CRITICIS M. CHAPTER I. PERCEPTIONS AND IDEAS IN 14 INTRODUCTION .
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action againſt agreeable alfo alſo appears arifing arts beauty becauſe Cæfar cafe caufe cauſe circumſtances colour connection courfe courſe criticifm defcribing defcription defire degree difagreeable diffimilar diftinct diftrefs diſcover diſtinguiſhable effect elevation emotion raiſed eſteem exiſtence expreffion faid fame feeling fenfe fenfible fentiment fhall fhould fhows fight fimilar fingle fingular fion firft firſt focial fome fometimes foon fpectator ftill ftrong fubject fublime fucceffion fuch fufficient furpriſe fwell grandeur gratification happineſs hath himſelf ideal prefence ideas impreffion inftances intereſting itſelf ject lefs leſs meaſure mind moft moſt motion mufic muft muſic muſt nature neceffary neral obfervation object occafion oppofite Othello paffage paffing paffion pain perceive perceptions perfon pleaſant emotion pleaſure prefent produce produceth propenfity puniſhment purpoſe qualities raife reafon reflection refpect reliſh reſemblance ſcarce ſelfiſh Shakeſpear ſtate ſtill tafte taſte thefe ther theſe thing thofe thoſe thou tion uſe