Elements of Criticism, 1 tomasA. Miller, London; and A. Kincaid & J. Bell, Edinburgh, 1765 |
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5 psl.
... objects is born with us in perfection : to relish a fine countenance , a rich landscape , or a vivid colour , cul ... object as well as of the percipient , hath fuited them to each other with great accuracy , But of a poem , a cantata ...
... objects is born with us in perfection : to relish a fine countenance , a rich landscape , or a vivid colour , cul ... object as well as of the percipient , hath fuited them to each other with great accuracy , But of a poem , a cantata ...
23 psl.
... object is introduced by a proper connection , we are confcious of a certain pleasure arifing from that circumftance . Among objects of equal rank , the pleasure is proportioned to the degree of con- nection : but among unequal objects ...
... object is introduced by a proper connection , we are confcious of a certain pleasure arifing from that circumftance . Among objects of equal rank , the pleasure is proportioned to the degree of con- nection : but among unequal objects ...
29 psl.
... objects ought to be carefully ftudied , in order to make the deeper impreffion ; for it is a known fact , the reafon of which is fuggefted above , that it is easier by words to introduce into the mind a related object , than one uncon ...
... objects ought to be carefully ftudied , in order to make the deeper impreffion ; for it is a known fact , the reafon of which is fuggefted above , that it is easier by words to introduce into the mind a related object , than one uncon ...
34 psl.
... object in distress , if that object did not give pain . What is now faid about the production of emo- tion or paffion , refolves into a very simple propo- fition , That we love what is agreeable , and hate what is difagreeable . And ...
... object in distress , if that object did not give pain . What is now faid about the production of emo- tion or paffion , refolves into a very simple propo- fition , That we love what is agreeable , and hate what is difagreeable . And ...
37 psl.
... object recalled to the mind in idea , is the occafion of a pleasant or painful emotion , of the fame kind with that produced when the object was prefent : the only difference is , that an idea being fainter than an original perception ...
... object recalled to the mind in idea , is the occafion of a pleasant or painful emotion , of the fame kind with that produced when the object was prefent : the only difference is , that an idea being fainter than an original perception ...
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action againſt agreeable alfo alſo appears arifing arts beauty becauſe Cæfar cafe caufe cauſe circumſtances colour connection courfe courſe criticifm defcribing defcription defire degree difagreeable diffimilar diftinct diftrefs diſcover diſtinguiſhable effect elevation emotion raiſed eſteem exiſtence expreffion faid fame feeling fenfe fenfible fentiment fhall fhould fhows fight fimilar fingle fingular fion firft firſt focial fome fometimes foon fpectator ftill ftrong fubject fublime fucceffion fuch fufficient furpriſe fwell grandeur gratification happineſs hath himſelf ideal prefence ideas impreffion inftances intereſting itſelf ject lefs leſs meaſure mind moft moſt motion mufic muft muſic muſt nature neceffary neral obfervation object occafion oppofite Othello paffage paffing paffion pain perceive perceptions perfon pleaſant emotion pleaſure prefent produce produceth propenfity puniſhment purpoſe qualities raife reafon reflection refpect reliſh reſemblance ſcarce ſelfiſh Shakeſpear ſtate ſtill tafte taſte thefe ther theſe thing thofe thoſe thou tion uſe