Elements of Criticism, 1 tomasA. Miller, London; and A. Kincaid & J. Bell, Edinburgh, 1765 |
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... imagination : but they lofe their relish gradually with their novelty ; and are generally neglected in the maturity of life , which difpofes to more ferious and more important occupations . To thofe those who deal in criticifm as a ...
... imagination : but they lofe their relish gradually with their novelty ; and are generally neglected in the maturity of life , which difpofes to more ferious and more important occupations . To thofe those who deal in criticifm as a ...
14 psl.
... imagining , that he has completed the lift , a more humble title is proper , fuch as may ex- prefs any undetermined number of parts less than the whole . This he thinks is fignified by the title he has chofen , viz . ELEMENTS OF CRITI ...
... imagining , that he has completed the lift , a more humble title is proper , fuch as may ex- prefs any undetermined number of parts less than the whole . This he thinks is fignified by the title he has chofen , viz . ELEMENTS OF CRITI ...
23 psl.
... imagination ; the other method will be pre- ferred by thofe only who with rigidity adhere to order , and give no indulgence to natural emo- tions * . It appears then that we are framed by nature to relish order and connection . When an ...
... imagination ; the other method will be pre- ferred by thofe only who with rigidity adhere to order , and give no indulgence to natural emo- tions * . It appears then that we are framed by nature to relish order and connection . When an ...
25 psl.
... imagination ; and are not pa- tiently submitted to , but after much culture , and difcipline . In Horace there is no fault more e- minent than want of connection : inftances are wit ' . out number . In the first fourteen lines of ode 7 ...
... imagination ; and are not pa- tiently submitted to , but after much culture , and difcipline . In Horace there is no fault more e- minent than want of connection : inftances are wit ' . out number . In the first fourteen lines of ode 7 ...
36 psl.
... imagination , feparable from the being to which it belongs ; and for that reafon , cannot of itself be the caufe of any emotion . We have , it is true , no knowledge of any being or fubftance but by means of its attributes ; and ...
... imagination , feparable from the being to which it belongs ; and for that reafon , cannot of itself be the caufe of any emotion . We have , it is true , no knowledge of any being or fubftance but by means of its attributes ; and ...
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action againſt agreeable alfo alſo appears arifing arts beauty becauſe Cæfar cafe caufe cauſe circumſtances colour connection courfe courſe criticifm defcribing defcription defire degree difagreeable diffimilar diftinct diftrefs diſcover diſtinguiſhable effect elevation emotion raiſed eſteem exiſtence expreffion faid fame feeling fenfe fenfible fentiment fhall fhould fhows fight fimilar fingle fingular fion firft firſt focial fome fometimes foon fpectator ftill ftrong fubject fublime fucceffion fuch fufficient furpriſe fwell grandeur gratification happineſs hath himſelf ideal prefence ideas impreffion inftances intereſting itſelf ject lefs leſs meaſure mind moft moſt motion mufic muft muſic muſt nature neceffary neral obfervation object occafion oppofite Othello paffage paffing paffion pain perceive perceptions perfon pleaſant emotion pleaſure prefent produce produceth propenfity puniſhment purpoſe qualities raife reafon reflection refpect reliſh reſemblance ſcarce ſelfiſh Shakeſpear ſtate ſtill tafte taſte thefe ther theſe thing thofe thoſe thou tion uſe