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according action admirable Agathon already Anthemion appears arms beautiful become beginning body called cause character child common considered death delight desire discourse divine editions effect excellent existing expression faculty father feel figure former editions fragment give given Gods Greeks hand harmony head highest Homer honourable human imagination inspired knowledge language less letter living Love manner means Medwin Medwin reads MENEXENUS mind moral nature never Note object observe omits once opinion original passage perfect perhaps person Plato pleasure poem poetical poetry poets portion possession praise present principle probably produced reads reason relation remarks render respect rhapsodist round sculpture seek seems sense Shelley Shelley's society Socrates soul speak spirit stand statue sweet things thought tion translation true truth turn universal whilst whole wonder writings youth
101 psl. - A man, to be greatly good, must imagine intensely and comprehensively; he must put himself in the place of another and of many others; the pains and pleasures of his species must become his own. The great instrument of moral good is the imagination; and poetry administers to the effect by acting upon the cause.
134 psl. - Poets are the hierophants of an unapprehended inspiration; the mirrors of the gigantic shadows which futurity casts upon the present; the words which express what they understand not; the trumpets which sing to battle, and feel not what they inspire; the influence which is moved not, but moves. Poets are the unacknowledged legislators of the world.
95 psl. - And this springs from the nature itself of language, which is a more direct representation of the actions and passions of our internal being...
128 psl. - Poetry is the record of the best and happiest moments of the happiest and best minds.
126 psl. - The cultivation of poetry is never more to be desired than at periods when, from an excess of the selfish and calculating principle, the accumulation of the materials of external life exceed the quantity of the power of assimilating them to the internal laws of human nature. The body has then become too unwieldy for that which animates it.
102 psl. - A poet therefore would do ill to embody his own conceptions of right and wrong, which are usually those of his place and time, in his poetical creations, which participate in neither.
129 psl. - Poetry thus makes immortal all that is best and most beautiful in the world ; it arrests the vanishing apparitions which haunt the interlunations of life, and veiling them, or in language or in form, sends them forth among mankind...
97 psl. - Lord Bacon was a poet. His language has a sweet and majestic rhythm, which satisfies the sense, no less than the almost superhuman wisdom of his philosophy satisfies the intellect ; it is a strain which distends, and then bursts the circumference of the reader's mind, and pours itself forth together with it into the universal element with which it has perpetual sympathy.
106 psl. - The tragedies of the Athenian poets are as mirrors in which the spectator beholds himself, under a thin disguise of circumstance, stript of all but that ideal perfection and energy which every one feels to be the internal type of all that he loves, admires, and would become.
101 psl. - Poetry lifts the veil from the hidden beauty of the world, and makes familiar objects be as if they were not familiar; it reproduces all that it represents, and the impersonations clothed in its Elysian light stand thenceforward in the minds of those who have once contemplated them, as memorials of that gentle and exalted content which extends itself over all thoughts and actions with which it coexists.