DRAMATIC SCENES. COUNT JULIAN. None of these poems of a dramatic form were offered to the stage, being no better than Imaginary Conversations in metre.-W. S. L. CHARACTERS. COUNT JULIAN. RODERIGO, King of Spain. OPAS, Metropolitan of Seville. SISABERT, betrothed to COVILLA. Muza, Prince of Mauritania. ABDALAZIS, son of Muza. TARIK, Moorish Chieftain. COVILLA,* daughter of JULIAN. EGILONA, wife of RODERIGO. HERNANDO, OSMA, RAMIRO, &c., Officers. FIRST ACT: FIRST SCENE. Camp of Julian. OPAS. JULIAN. Opas. See her, Count Julian: if thou lovest God, See thy lost child. Julian. The Florinda. *The daughter of Count Julian is usually called city of Covilla, it is reported, was named after her. probability: there would be a gross one in deriving the word, as is also pretended, from La Cava. Cities, in adopting a name, bear it usually as a testimony of victories or as an augury of virtues. Small and obscure places occasionally receive what their neighbours throw against them; as Puerto de la mala muger in Murcia: but a generous people would affix no stigma to innocence and misfortune. It is remarkable that the most important era in Spanish history should be the most obscure. This is propitious to the poet, and above all to the tragedian. Few characters of such an era can be glaringly misrepresented, few facts offensively perverted. The brand of war on one detested head, Opas. Those struggles with the bars thyself imposed? Is she not thine? not dear to thee as ever? Julian. Father of mercies! show me none, whene'er All my peace Opas. What wilt thou do then, too unhappy man? And faith? Alone now left me, filling up in part My own lost child. Opas. Yes, at this very hour. Julian. Till I have met the tyrant face to face, And gain'd a conquest greater than the last, Till he no longer rules one rood of Spain, And not one Spaniard, not one enemy, peace for me, no comfort, no . . no child! |